Nausicaa of the Valley of the Wind (Kaze no Tani no Naushika)
I suppose you could argue that Nausicaa is not precisely a Ghibli title, since the success of the film was part of what actually enabled Studio Ghibli to be formed in the first place, but it’s always sold and labelled as such and of course, Nausicaa features the ‘power trio’ of Miyazaki, Takahata and Suzuki, who would go on to have such a big impact on the landscape of cinema in Japan.
Generally, I consider this my favourite Ghibli film despite tough competition from a few other movies, in part due to the scale but also the small moments that humanise the characters throughout.
Looking back, it’s easy to see the roots of what might now be called a ‘classic’ mix of Miyazaki themes: environmentalism, fantasy settings, war, the joy of flight, and the use of a female lead whose ability to solve conflict with kindness (as opposed to endless violence) is both a key part of plot and charactarisation.
On the off chance that you’re unfamilair with Nausicaa of the Valley of the Wind, here’s a tiny blurb:
Threatened by spreading toxic jungles, Nausicaa’s people rely on their own vigilance and the wind to protect their homes and people. When a ship carrying an ominous secret crashes in their valley, warring nations converge on the Valley of the Wind and it’s up to Nausicaa to save her people.
Part of why the film is so enthralling for me is due to the world-building; it’s so detailed – you can feel that there’s so much more beneath the surface, the world in Nausicaa is so interconnected, from its environment and its tensions to the prejudice of its peoples, it’s just as realistic as it is fantastical. (This is no doubt in part due to the film basis in a multi-volume manga written by Miyazaki himself). The insects especially, are impressive and varied but also complex creatures – not in the least being the almost majestic Ohmu.
Fans of Hideaki Anno will of course be aware that he was hired to work on the film’s climax with the great warrior – this gif offers a glimpse but not the whole sequence, though it’s still impressive enough (and I won’t say ‘for the 1980s’ because that’d be needlessly reductive).
Like many Miyazaki films, there’s another beautiful soundtrack composed by Joe Hisaishi too, this time with an electronic feel typical of the 80s, though the opening piece to the movie is still sweeping and orchestral. Below is a live performance for the 25th Anniversary where you can see Joe leap from the role of conductor to pianist 😀