You know the very-real genre known as “not-quite-tearjerker”? Yep, that one – absolutely something real that you’d find in a video store, or in the list of categories via a streaming service.
Well, Vampire in the Garden (2022) feels like it meets the criteria for the above ‘genre’ to me, since it’s quite sombre and sort of contains little in the way of hope.
(Quick warning, there are fair few spoilers below, so if you’ve been planning to watch this one day and want to avoid spoilers, please take note).
However, to some extent, the action scenes and also the defiance and determination shown by the leads (Fine and Momo) sort of cloaks what is a tragedy, but I think it’s the kind that of tragedy that telegraphs its inevitable, sad ending very clearly. You’ll most likely be able to prepare yourself, if you know this kind of story will upset you.
(For example, the berserker/suicide drug that the vampires can use never seems far from Fine’s mind, and the series is careful to remind us with close-ups etc, that it’s always an option for her).
But it’s not just the ending that is melancholy and more; there is plenty of despair and hate and war throughout, and examples to demonstrate just how hideous humanity can be. It’s a clear a parallel with real-world war and prejudice, which makes the handful of upbeat scenes almost glitter in comparison.
Part of the mood is obviously achieved via lighting – and of course, it’s about vampires and so there’s going to be a lot of shadow.
But the scenes within grand manors or military encampments are often shadowed, or chilled by all the snow, leeched of vibrancy or sick with that nuclear green. It all feels like a clear sign that points to humanity being in decline from within, something clear when we see how little music, art and joy they have – and most of all, how hard they try to stamp those things out when they are found within the vampire’s culture.
On the other hand, the human race is caught within a war of survival.
Again, the themes are clear and heartfelt – something I certainly don’t begrudge the anime for in any way. War strips away the things worth living for, and Momo and Fine turn their backs on that during their search for a promised land of harmony. Well, both of them prior to the first episode – and Fine a long time prior.
I will note that the age-gap is undeniably suspect, even before the indeterminate age of vampire Fine. It’s a pretty common vampire trope, I guess – so perhaps no surprise there.
Both leads remained engaging for me, in part because they were each given time to open up, and I definitely wanted them to find what they were seeking. Despite the story giving me many reasons believe that they actually had no chance of success, I was still a bit surprised by how close the narrative permitted them to come to happiness.
A member of the supporting cast caught my eye too – Kubo and his samurai sword. Had he played a bigger role, I’d have been interested to see more of his back-story, but as things stand I felt like I was provided enough to support his motivation. (There was also enough time to see a bit more on other side characters too, which was nice).
In terms of time, I thought I should note that Vampire in the Garden felt longer than its 2-and-a-bit-hours to me, probably due to being chopped up into five episodes.
Visually, it seems clear that Wit Studio have unleashed a torrent of stunning settings and backdrops, and elsewhere I have no complaints*, but Kazushi Fujii and Satoshi Takabatake (I believe it was) really captivated me with so much striking scenery. I kept watching at least in part to see yet another awesome background.
So, at long last – is this anime for you?
Maybe if you like bat-style vampires – or far more importantly, love stories that are bittersweet at best. And if so, then this should be pretty pleasing overall. If you prefer more conventional noble-vampire/thrall plots, or vampire-hunting stories, then I don’t think Vampire in the Garden will quite do the trick.
*Well, maybe the jeep’s landing and some general “invincible heroes” stuff, but it wasn’t enough to ruin anything for me.