OVA Week – Day 2: Scoopers

Onward – six days left of OVA reviews!

As before, I’m starting with a brief overview on the form itself, before jumping into the actual review and will follow this format for each of the seven posts.

Hope you enjoy these and as I mentioned a few posts back, I’d love to hear any suggestions you might have for future OVA-weeks 🙂

  • An animated film or series made for release on video, rather than for broadcast/theatrical screening
  • Generally, high budgets that can mean visual qualities are better than a typical television series
  • No fixed length, nor broadcast time-constraints when it comes to storytelling
  • To some extent, created outside regulation – and so they have a reputation for ‘anything goes’ when it comes to restricted content
  • Often (but certainly not always) based on original scripts, rather than being adaptations
  • Long wait times between episodes/installments for some OVAs
  • First OVA to be described as such was 1983’s Dallos from Mamoru Oshii
  • The ONA (Original Net Animation) is an obvious more modern equivalent

Scoopers (1987)

Monkey Punch obviously created more than his Lupin stories, though I think in works like Scoopers (or Cinderella Boy for another example), some similarities in design and tone are front-and-centre.

To an extent, there’s even a little of a cyberpunk-Lupin feel to this short film. Maybe even a touch of Jurassic Park – well, if only in terms of a key setting, perhaps. But I’m jumping around a bit, so here’s a brief note on the plot instead:

A plucky reporter and her android cameraman/bodyguard try to save the world from a madman with vast, vast technological resources. Simple enough, right? Again, not a problem for me.

Leads Yoko & Beat make a good pair and their adversary Mr X is certainly doing his best to be the ‘menacing gentleman’ type but for me, his wide variety of henchmen actually do better.

Admittedly, Mr X really does throw all kinds of stumbling blocks the way of the heroes, from helicopters, androids and hallucinations, Greek gods/mythical creatures and evil super computers too. And while a sense of fun holds everything together, I think the mix could easily irritate some viewers.

Not me however, but I will add that Yoko was, for all her toughness, prone to cries and shrieks a fair bit. It’s also unclear to my why Beat has been programmed to perform occasional acts of sexual harassment but here we are, I guess.

Is this OVA worth seeking out? Probably if you’re a big fan of Monkey Punch (or Lupin, I guess) or more likely, as I often seem to say, if you’re a fan of the era. Because it is 100% the 1980s from top to bottom!

Otherwise, Scoopers might not bring you a whole heap of enjoyment.

3 Stars

2 thoughts on “OVA Week – Day 2: Scoopers

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