Okay, I admit that this is one of my most click bait-style headings so far, since the word ‘Abandoned’ is probably a little too strong for some of these entries.
And so here’s the usual disclaimer – I’m not ruling out one day returning to any of these shows… one of which at least I am 99.9% certain I will finish.
Ideally I want to come back to this when (now that?) it’s finished, so I can watch more episodes back-to-back, since having a break between each episode at the beginning wasn’t working for me.
I think I’ve seen the first three, and despite being hooked on the premise and the unanswered questions, and enjoying the visual aspects, I don’t think I’m actually interested in any of the characters.
The Case Study of Vanitas
Might return to this one day as I was enjoying the world, but I found Vanitas too annoying for a lead character.
Once he upgraded from being just annoying to ‘dude that commits sexual assault at the first opportunity’ I groaned and not only because it didn’t play like a flawed character who will one day change, and seemed more designed to fall rather neatly within the ‘cheap thrills’ category.
The Detective Is Already Dead
Nearly finished the first episode.
Might try to take a second look one day, as the premise caught my attention to begin with.
99.9% sure I will finish this sometime during 2021.
I’m six or so episodes in and I was enjoying SO much about the anime. It is also just a tiny bit familiar too, as though I’d seen some of it a long time ago.
But whether my memory is any good or not is an issue I’ll put to one side for now, however, because I’ve been able to pinpoint what made me pause my viewing: for whatever reason, I’m just not in the mood for dystopian/bleak stuff at the moment.
I will be sooner or later, but it’s been over a month since I started and I haven’t returned just yet.
How about you? Seen/planning to see/abandoned any of these?
I tend to be a little disappointed in romance anime that hold back on the developing the relationship onscreen – especially when it comes to homosexual relationships, but that’s probably not always fair.
Heaven Official’s Blessing (Tiān Guān Cì Fú) 2020
And I say ‘not fair’ not in terms of a discussion between chaste vs lewd content, but more a case that I wish the industry would treat the relationships of gay characters the same as heterosexual ones, though it feels like that’s changing slowly.
Having said that, I think I should also add – I hope things continue to change in so long as it’s safe for the creators, that is. (Obviously, country of production has an impact).
But until things change, there’s still somewhat sweet shows like Heaven Official’s Blessing, based on the novel by Mo Xiang Tong Xiu and animated by Haoliners Animation League. I hadn’t seen many works from China at all, but this looks fantastic, with whimsical and menacing settings, fluid action and memorable leads.
Heaven Official’s Blessing feels like a balanced mix between supernatural action and almost cute romance, (with lead Xie Lian even taking on the clumsy ‘damsel’ role at times) and I enjoyed the mythological aspects as much as the character interplay across the 13 episodes, and I’m definitely hoping there’s another season one day.
I saw HOB on the soon to be defunct Animelab, and while the subtitles were far too small for my eyes, I’m glad they were there because without them I would not have been able to watch the show at all. (There were mythological elements and context that I missed too, especially those last few episodes I suspect).
The ending to episode 12 kinda demanded an OVA or a ‘special’ because while it wrapped the action plot, the relationship between Xie Lian and San Lang needed more screen time, which did happen with #13 thankfully.
Definitely recommended for fans of the above-mentioned genres.
Vivy made me wonder whether great art, exhilarating fight sequences, catchy songs and fun costume changes with engaging characters were enough for me to say yep, 5 stars – even in spite of some disappointment with the plot.
Vivy: Fluorite Eye’s Song (2021)
(In the end, it doesn’t matter whether I finish the review with a 4 or 5 star rating, or any other number, but apparently I enjoy overthinking and so I’m still not sure about a score :D)
Anyway, getting back to Vivy itself– if you’ve been craving time-travel science fiction and action that looks great (with an interesting compression of a 100-year timeline) then there should be more than enough to keep you watching.
And there was for me – I looked forward to each new episode and in addition, it was really fun to see the show via Karandi’s posts too.
Occasionally, I felt some of the jumps in time were a bit sharp and Matsumoto can be hard work to listen to, though those were minor issues for me. Again, I personally find it easy enough to overlook aspects I didn’t enjoy when the visuals are great and WIT studio lives up to their reputation here, I reckon.
While there are a few threads / mini arcs that I preferred over others, I think I’ll quickly mention some fav scenes or smaller aspects instead:
The robot welcome in the factory stood out, nice way to humanise them and also kinda manipulate the audience
The ‘falling’ fight scene in episode 9 is pretty ace
Gradual thawing of Vivy’s personality works really well
OP is a cool song
I also enjoyed the little bit of exploration around possible rights/privileges of non-humans (robot marriage etc)
Without spoilers, there was a particular point toward the end where the choices of characters (and connected time-travel difficulties) gave me fair pause, and some disappointment there did impact the finale for me.
However, I wouldn’t say I felt the same level of disappointment as with say, The Promised Neverland or Wonder Egg Priority.
And in spite of the issues I had with the last few episodes I liked that time-travel wasn’t something that solved everything neatly, often when Vivy and Matsumoto took action, they found changes harder to make than planned.
In the end, Vivy: Fluorite Eye’s Song is definitely a show I’d like to add to my collection one day, no doubt about it.
I wrote some of this review not long after the end of episode 12 and it really feels like so much depends on the OVA…
Wonder Egg Priority should feel familiar but also new and exciting at the same time. Everything is intense too, whether it’s the colours, action sequences or storylines, all with that familiar CloverWorks feel.
And while there are a certain amount of ‘power of friendship’ moments the themes are overall dark and at times, maybe handled bluntly – but I wonder how I’d feel, if I were young right now and struggling with tough issues, to see an anime like this that showed kids fighting back, how cathartic and hopeful it might be.
If you decide to watch Wonder Egg here’s a bit of what to expect as per the plot adapted from Wikipedia:
Ai Ohto, a junior high school student, is temporarily not attending school following the suicide of her close friend Koito Nagase. During a late-night walk, Ai finds a gachapon machine that dispenses a “Wonder Egg”. That night, Ai gets drawn into a dream world where the Wonder Egg cracks open to reveal a girl, whom Ai must protect from a horde of monsters called ‘Seeno Evils’.
Ai is an engaging lead and the bonds she forms with her friends are the highlights, even over some fantastic fight sequences and unanswered questions that pull you along. I wanted things to work out for her and the team by the end of the series, a sure sign that things were working as far as I was concerned.
But certainly the show hasn’t satisfied everyone.
A few months ago (at the time of writing this review) there was a bit of online dribble re: ‘casuals’ and the magical girl genre. For me, if you use the word ‘casual’ to disparage someone, I know I never have to take your opinion seriously, because who cares how someone is introduced to an anime or a genre?
Or a game, or an album, or whatever.
… and so I’ll just move right along.
Another thing that I really enjoyed about Wonder Egg Priority was the roster of villains. [Spoilers below]
For me, there are three to choose from in Wonder Egg Priority; a pair and two individuals.
I’ve probably quoted the adage that ‘a hero is only as good as the villain’ in a review before, and Acca and Ura-Acca are indeed bad news; a pair of sock-puppets skillfully manipulating vulnerable kids who enter their desperate circle of selfish madness.
But you are given a chance to understand why they are villains at least, just like the glimpse we get of the ‘role models’ for poor Rika – someone who demonstrates the sad truth that people who are abused can become abusers themselves.
Frill is the villain with the least amount of screen time, and while her role in the present of the anime remains unclear, her flashback episode is certainly memorable. In fact, that single episode is as confronting as any other in the series can be, and remains one of my favourites, both visually and in terms of having a self-contained storyline.
I believe I might purchase Wonder Egg one day, because I liked enough of it to do so, and I don’t want to reduce this show to its flaws because, it’s a lot more than that.
However, I can’t finish the review without mentioning the special.
… and I don’t want to pile on here, but boy, after a 25+ minute recap at the beginning, my expectations did plummet pretty swiftly.
The final episode (delayed during the original run of the show) definitely achieves a label of ‘unforgettable’ for me.
It disappointed a lot of folks of course, and I found it hard to separate my negative feelings in general, from what the story was actually showing me in episode thirteen.
The special does offer an ending and follows through on some of the earlier foreshadowing, but also raises new plot points perhaps a little too late. I will address one criticism I’ve read about the special, which is that Rika abandons Neiru too quickly, when she learns that her friend is AI.
To me, that behaviour is 100% consistent with a character that called an overweight fan a ‘wallet’.
Thinking back, I don’t think I actually enjoyed the episode very much but I’m glad there is an ending.
Because like so many viewers, I grew to wonder just how much abuse were staff members being put through by the industry (and us as fans?), both via criminal working conditions and unrealistic expectations?
And now I think to myself, should I even keep consuming media that is so obviously burning out artists left, right and centre? I have no answer and being powerless to change things is not an enjoyable feeling. And it’s in so many industries too, certainly not just anime.
Until things change, I should do more to support artists directly – just have to figure out how.
Wonder Egg Priority might end up being remembered more for its heroines, or for the special, or maybe as a show that highlights awful, awful working conditions in the animation industry and for me, I definitely end up associating it with all three when I think of it now.
It feels like over the next few decades (and now of course), it could be regarded as more than the sum of its flaws.
I’ve been thinking about Akudama Drive on and off since finishing it and I’m wondering if it’s actually Cyberpunk in name and aesthetic only.
And if so, does that even matter?
This was one of my fav shows from the last few seasons and I enjoyed it plenty, no matter the labels that have (or have not) been attached to it by other folks, or by me for that matter 😀
A bit more on genre further below, but for now I’ll do a sort of short, general overview.
For fans of action, science fiction and also amps that go up to 11, I reckon Akudama Drive will have exactly what you’re looking for – flashy action, boldly drawn characters that sometimes push beyond their archetypes and a neon cityscape full of corruption.
There’s even a slight Suicide Squad feel to the premise.
Now that I’ve opened by saying I enjoyed the anime, I will say that I might not have finished the series without Swindler (or the kids, I guess) as there were very few characters I wanted to see succeed.
But by the end I definitely wanted to see some vengeance.
And a real plus for me was the fact that the anime actually has a resolution and an ending, and one that feels both inevitable and satisfying. So fear not if you’re the kind of viewer who is endlessly frustrated by anime without endings.
Getting back to my opening paragraph, typically I harp on a lot about genre so I’ll try to keep it brief here for a change.
Basically, I think Akudama Drive is most concerned with the action conventions of spectacle, both visuals and violence, and less about exploring technology’s impact on humanity, and thus it might not be a Cyberpunk text in every sense of the word.
On the other hand, when you consider that the anime is so clearly fulfilling that ‘punk’ side of resistance – fighting an oppressive state/government that needs to be defeated, then Akudama Drive in that respect is indeed cyberpunk through and through.
If I were to pick at a minor issue, for me the kids’ story could have been introduced earlier but I still enjoyed it.
Cutthroat is merely “psycho for the sake of psycho”, which feeds quite neatly into the action movie conventions and while one highlight is probably the sequence with Swindler in the abandoned factory, once again the threat of sexual violence seems like a predictable go-to. (Also, a trope that feeds directly into the action-genre.)
Akudama Drive has quite a big finish too – and despite my quibbling over genre above, the anime does address the role of technology in our lives but it’s just not the main focus.
In the end, I still think of this show as an action series before anything else, but I’m not claiming that as a problem, just my reaction 😀
(It’s also a series I might collect in the physical edition one day too.)
Netflix feels reasonably hit and miss when it comes to anime and related forms but I’m glad someone at the corporation is putting money into projects I might never have had the chance to see otherwise.
Terese is one of those shows, and one I enjoyed a lot, finishing it keen to see more of her story.
Here’s a hint of the plot from Netflix: In Manila, where dark supernatural forces pervade the criminal underworld, it’s up to Alexandra Trese to keep the peace — but there’s a storm brewing.
Now, going in, I was curious about the ‘horror’ label too, because some animated horror doesn’t hit as hard as live-action, but there’s blood and gore (rather than a lot of suspense or jump scares etc), and plenty of creatures and dark magic.
Having said that ‘supernatural’ is probably more useful in terms of genre if you’re after a single word for the show’s focus, which meant I was on board pretty much right away. I guess you could argue that there’s a slight Buffy feel to Terese, but there are very clear differences – for one, there’s no teen drama.
Another difference was my favourite element of Trese: which was experiencing aspects of Filipino culture, folkore and mythology. To me, Terese feels like a series made by a Filipino team for Filipino audiences, as they rarely broke the narrative or pacing to stop for exposition, which was great.
If you are on the fence about the show I think you’ll know if you’re going to like it after viewing episode one. For me, Terese’s role as peacekeeper between humanity and various creatures made sure there was variety but if you hesitate re: ‘monster of the week’ hints there are interconnected narratives where events from the past slowly bleed into the present.
As a stand out for me, I’ll mention (but not spoil) episode 3 – creepy indeed. (I should also note how much I enjoyed the settings, some of those establishing shots especially).
While not every action sequence dazzled in the way that some legacy studios might have produced, I was never pulled out of the moment. Some extra focus on Trese as a character beyond her role as protector might have been nice but aside from those two aspects I didn’t have much in the way of complaints.
I saw a fair few big names in the English cast, which seems like one measure of international support it had during production, and I so hope that there was enough interest in the show that more episodes are produced one day!
Let me preface this review by saying that I will watch more of Yasuke.
I did find that the scope of events in the latter half quickly outstripped the amount of episodes allocated to the season, resulting in a pretty rushed feel which left me feeling a little cold toward the show.
If Netflix would simply stand by their creators and not rush out a handful of episodes at a time, maybe it’d be easier for shows to pace their storytelling, to give characters and events room to breathe/develop. (Of course, I don’t know if that is actually what’s happening).
But stepping away from possible production issues, I didn’t need much convincing to try this short anime at all – samurai, supernatural stuff, outsider lead character, all things that I tend to enjoy.
And enjoy them I did. Most of the action was great and while there were times where the dialogue didn’t land for me, the range of character designs and colour palettes balanced that out.
While I didn’t go in seeking historical fiction from the anime, I did really enjoy the flashback portions of the story. In fact, Yasuke’s backstory became more compelling than the main storyline at one point, and I would have watched more in that vein for sure.
That’s not to knock the mentor relationship between Yasuke & Saki but there was a lot about other characters that didn’t work for me.
An example of that would be the sense that Achoja and co were meant to be rogues that come around to the side of the good guys when faced with a bigger evil, and yet the narrative sort of jammed them and their flat banter into events then did away with them before giving enough time to get to know or care about them.
Maybe I misread the purpose of those characters in the narrative?
As much as I liked the variety in character designs, Saki did sometimes have a little of an ‘adult face in kid’s body’ look and Father Abraham reminded me a bit too much of Anthony Hopkins. Minor things, but I noticed them.
For me, the first few episodes feel like a great beginning to a pretty epic story.
The next ones less so, but I’m still keen to see what happens next with future seasons should they appear and ended up preferring Yasuke over Cannon Busters.
(I should mention that the OST by Flying Lotus really stands out too.)
I’m not sure how to write about this short season…
It seemed like the prologue to a bigger story to come, and at the same time, like an epilogue to a bigger story that had already been told.
Which it basically was.
In terms of negative aspects, first up is that fact that I didn’t enjoy the side-lining of Keith Flick* for pretty much the entire series. Maybe it’s like Superman needing kryptonite. If a character is too smart, it can be hard to surprise them and so dramatic tension is cut.
While the political intrigue was an interesting extra facet this time around I think it maybe took the place of a compelling villain, but since this season seems to function as something to tide folks over, I should probably hold back on judging too soon.
Things still look great and there was plenty of dramatic lighting and warm colours, along with some exciting action sequences, but overall I’m still finding myself a bit disappointed.
Having said that, I’ll still watch more episodes if they appear one day and it was nice to see Izanami return.
So, maybe 3 stars, I guess?
*I’m also wondering if Keith’s past with his adoptive sister is going to be explored or whether it’s just some run of the mill shock tactics stuff?
By now, I think folks seem to have moved past some of the general disappointment surrounding this adaptation of Kousuke Oono’s manga. I can’t compare this with the original but if you’ve never read the manga then the anime might actually be a good introduction? Maybe? I don’t know.
Admittedly, I was expecting something quite different myself but I think that’s because Netflix did an exceptionally poor job of establishing expectations with its promo.
For context, if you haven’t seen The Way of the Househusband then imagine a manga with a little bit of movement, sound and colour and you’ll get a fair idea.
It’s pretty funny too 🙂
Although the bulk of the humour comes from the premise of a former Yakuza bringing his deadpan menace to the domestic world, because each episode is so short, the joke didn’t wear out its welcome for me. (I don’t know if I’d enjoy longer episodes as much, but I am definitely going to watch the next series.)
One highlight for me was Kenjiro Tsuda, one of my fav voice actors, and someone who I think is perfect for Tatsu. Another joy was his wife Miku, who’s probably the standout character from the show’s small recurring cast.
Now, if you’re on the fence about this series because the premise isn’t quite enough or you expect more animation maybe, I don’t know if I can convince you to give it a shot.
But if you also enjoy sight gags, slapstick* and hyperbole (so, the Comedy genre :D) then The Way of the Househusband might still satisfy. It’s also very digestible in terms of length per episode, so if you don’t have a lot of time and feel like something light this could be perfect.
*Perhaps best exemplified by the chapter where Miku’s dad tries to play catch with Tatsu, poor guy
Well, I don’t want to add too much to the vitriol out there and I doubt I’d have anything new to contribute to some of the… discourse (such as it is) either.
But this season certainly didn’t feel quite right.
The Promised Neverland (Yakusoku no Nebārando) Season 2 (2021)
And rather than go over each and every issue, I think I could just suggest “see what your fav blogger has to say” since they’ve probably covered it, and better than I could. Having said that, there will be spoilers below – and in a way, half the pics are too.
I left this season feeling sad – I’m kinda worried that the production team were dangerously overworked and also not given enough time? Were they producing a flawed adaptation from the start, or did something else go wrong somewhere along the way?
And on top of those possibilities, I worry that some great things in season 2 will be simply obliterated by the negatives.
Due to that, I’ll try to confine myself to just 6 observations here – 3 for bits I really liked, and 3 which I did not.
But I want to finish on some positives and so I’m starting with the aspects I didn’t enjoy so much.
Without having read the manga I could still feel how fast the second season was, how often it skipped over or abandoned the stuff I was excited to see more of.
I wanted extra time in the shelter for one, more time to explore and deal with the demons in town, more time to see the leads struggle with certain decisions, more time on Norman’s return.
This time around, it felt like Emma maybe softened without enough of her change occurring onscreen for the audience to witness.
Norman and his crew seemed to come around from their positions too fast too – a scene or up to half an episode is all it seemed to be, instead of what could have been explored across entire arcs or seasons, I guess.
Montage is very appropriate for the compression of time and events… but I guess I didn’t want so many of them here.
For me, again, without having read the manga, a fair few things that were shown in the end were empty referents. It felt like somewhere, someone had decided that season two would serve as a way to nail down the lid on any possibility of future seasons.
Switching now to things I enjoyed:
After the tension in the house, the barriers both physical and psychological, it was exciting to see the kids explore a bit of the world.
To see creatures, plants and tunnels, trees and plains – I was pretty thrilled. It also allowed the story to include a bit of action, which was fun (not just via Sonju) and of course, the mystery of Minerva became a bit of a quest too.
There were plenty of ethical dilemmas in season two and while I wanted more time spent on each of them, it was still nice to see it onscreen.
The kids are all pretty smart to say the least, but they’re not immune to doubt or to a deadly rage – I guess I’m thinking mostly of Norman and Emma here and their struggle with/over genocide.
Finally! After watching the poor kids go through so much suffering in that first season, it was great to see success, joy, happiness and reunions etc.
Obviously not just between the main heroes, but even good old Phil (whose scenes border on treacle I guess, but I didn’t care) – I wanted to see them all happy 😀 (Even the ending didn’t mar that feeling for me, for the most part).
Okay, and there we go – after this, I’ll wrap things up with a few shots or pieces of background art that I really enjoyed, I think.
It’s a shame this season doesn’t compare well to the first one, but if you have zero plans to ever read the manga, then I guess try season two one day but perhaps don’t expect things to be as consistent as the first.
(Oh, and I love the closing sequence – watched it every time).