Hatarki Man [Boxing Day Review]

Here’s something I haven’t really experienced for a while – a series where I really enjoyed the characters, the setting and the individual stories, but deeply disliked the message.

Now, whether I’m actually correct about the message – is there a message at all? – or whether I’m wrong, might certainly be up for debate.

I would like to be wrong actually…

Hatarki Man (2006)

In any event, here’s the premise (as per Wikipedia):

Hiroko Matsukata is a woman who works for a magazine company. She puts all she has into her work, and is known as a strong, straightforward working girl, who can at will turn herself into Hataraki man (working man) mode. Despite Hiroko’s success at work, her life lacks romance. Even though a hard worker, she would leave early anytime to go on a date. Too bad her boyfriend is an even bigger workaholic than Hiroko.

Okay, so what makes the anime work for me?

Well, aside from the almost ‘too-close’ character design of Hiroko (that was nevertheless compelling), I think it is the characters themselves. They’re all stronger than their flaws, and more, they’re able to reflect. And there is variety in both their look and personalities, their problems and the solutions they come up with. I wish it had a been longer anime.

For fans of episodic + overarching plot lines, Hataraki Man should satisfy too. And if you’re like me, with little idea of how print publishing works(ed) in Japan, then you’ll probably learn a few interesting things about the industry too – especially in the ‘Reward Man’ episode.

Throughout, the writing verged on dark comedy, but overall it’s a work-drama. And while I could very easily relate to some of the central struggles both Hiroko and Shinji faced, especially when they were doubting the value of their work, this point brings me to my problem with the message or theme (at least, as I see it).

And it seems to be something like “work is more important than anything else”.

Again, maybe I’m performing a bit of a shallow reading of the text here – I’m very curious to see if anyone else has seen the anime/read the manga?

Soon, I’ll finally present my ‘evidence’ as it were, but first I want to note that I’m basing a large part of my response on the final episode especially, and two moments in particular. (Okay, and a quote from the author, but I’ll include that at the bottom).

Okay okay again, I’m also basing it on a few other general things I’ll outline now:

That ‘work above all else’ thing that I keep harping on about in this review seems to be echoed in just about every character onscreen, since so few seem permitted to/able to make time for anything but work, and if they do, it is not shown to us very often.

Spoilers below:

More, the main long-term romantic relationship in the anime decays week by week in favour of work, and meaningful conversations between characters usually happen jammed in between other events or during periods of exhaustion.

The one character in the office who dares to draw a line between work and the rest of his life is scorned by our main character, and management is so void of compassion that even a water leak that destroys the MC’s apartment doesn’t seem to be relevant. (Of course, folks like that are a dime a dozen in management, but it’s always sad and ridiculous to see someone fight so hard for a company that will immediately discard and replace them the second they burn out).

And burn-out is a vital theme in the anime, and one that I reckon is handled really well too. I could probably recommend Hataraki Man for that aspect alone.

But at last, the notion of burn-out leads me to the concluding episode.

When finally Hiroko and Shinji drift apart enough to call it quits (initiated by Shinji who seems to have given up on the relationship first) Hiroko is stunned into something of walking-coma. Of course, she’s unequipped to process her emotions, but gets some advice from a colleague, which seems to boil down to “it wasn’t your fault you put work before your relationship”.

Which is not true. Both Hiroko and Shinji absolutely put work first, and that’s why everything falls apart for them.

The ending of the episode basically lets Hiroko snap out of her depression thanks to work, and Hiroko’s voice-over even tells us that she will be okay… because she has a job.

Now, obviously after something deeply painful, pouring yourself into another facet of your life can be great – necessary even.

But for every scene of Hiroko working until 2am or slumped over her coffee table in her day-clothes after having stumbled home from work, every time she rang to cancel a date, or was stuck at the office long after others left, it was clear this work ethic left her with nothing else, not even a fun hobby – especially since by end of the series, Hiroko doesn’t even had a boyfriend anymore either.

Once again, maybe I’m being somewhat unfair – many times the series is committed to show us the awfulness of a ‘work is everything style’ culture, yet after I finished the anime, I stumbled across this quote from the creator of the manga, Moyoco Anno:

“The traditional virtue of Japan was that people took everything very seriously. As those traditions have been eroded, the quality of Japanese work has been downgraded.”

https://web.archive.org/web/20080706032642/http://business.timesonline.co.uk/tol/business/markets/japan/article2806731.ece

The full quote contextualises the comment more around accusations of laziness, which struck me as rather thoughtless when I apply it to Anno’s own industry, one that seems rife with creators working themselves into the ground etc.

I have to note that it’s obviously incredibly risky for me to take one quote (or even a full passage) and use it as evidence of ‘what the anime was saying’.

Even supposedly saying.

And it’s also risky of me to claim the quote as evidence that the anime conformed to more than it critiqued the dominant attitudes toward work that I tried to identify above. Again, I’d like to be wrong.

Because in the end of course, I obviously don’t (and couldn’t possibly) have a handle on what’s going in Japan right now, nor when the manga was written for that matter, or the anime aired, but the stories about burn-out that do reach me today certainly don’t fill me with happiness.

Obviously, overwork is a problem that’s not going away (not just in Japan but anywhere in the world) without radical change – and this rant from me won’t make any difference. Even so, I enjoyed getting it onto paper, as it were.

So… to crawl back to the review itself at long last, I still really liked this anime.

In fact, I love that it gave me pause and made me think. And I will definitely watch it again one day, but I find myself wondering now, weeks later, am I supposed to be happy for Hiroko at the end of the series, or worried that she’ll work herself to death, just like her poor interview subject from episode 9: “Full-Fledged Hataraki Man”?

4 Stars

This resolve and drive is more typical of her as a character, actually – I probably should have taken more similar screencaps for the review.

OVA Week – Day 1: Relic Armour Legaciam

Here we go – seven days of OVA reviews!

I thought I’d start with a brief overview on the form itself, before jumping into the actual review (and will probably follow this format for each of the seven posts).

Hope you enjoy these, and as I mentioned a while ago, I’d love to hear any suggestions you might have for future OVA-weeks 🙂


  • An animated film or series made for release on video, rather than for broadcast/theatrical screening
  • Generally, high budgets that can mean visual qualities are better than a typical television series
  • No fixed length, nor broadcast time-constraints when it comes to storytelling
  • To some extent, created outside regulation – and so they have a reputation for ‘anything goes’ when it comes to restricted content
  • Often (but certainly not always) based on original scripts, rather than being adaptations
  • Long wait times between episodes/installments for some OVAs
  • First OVA to be described as such was 1983’s Dallos from Mamoru Oshii
  • The ONA (Original Net Animation) is an obvious more modern equivalent

Relic Armour Legaciam (1987)

At the very end of this OVA I saw a message from the production company that was something like “see you again” and it made me a little sad. Because there was no ‘again’, at least not yet, and it’s been thirty-five years already.

And I absolutely would have watched another installment!

Relic Armour Legaciam actually ends on a really good story beat on the other hand. Even with only 50 minutes to tell the tale and set up the world and characters, the anime does the job. I was quickly invested in the team’s struggle to remain free, as the story soon slipped into the chase/hide portion of the plot.

At the same time, the bigger mysteries of the deadly heatwave and strange tower were set up nicely, with some back-story provided too. It was definitely enough to have me keen to learn more about the people involved with the first, seemingly disastrous expedition to the tower too.

Of course, antagonist Felmis has plans to stop the heroes, and after a pretty fun mech battle, Alcia and co are able to head for the tower… at which point the film finishes, sadly.

Before I finish, I want to add that I really liked the designs, especially of the Legaciam itself, and the Han Solo feel courtesy of Zeno was nice too. It was cool to hear voice acting that was rough and boisterous for the kids also, though I don’t know how I’d go with an entire film of them talking.

Does this stand out amongst the many, many OVAs out there?

Or even the many mecha OVAs from the 1980s? I doubt I could say, since I just haven’t seen enough of either. Probably your enjoyment (or lack of) this one will hinge upon your tolerance for unfinished stories* and classic anime.

3 Stars

*Typically one of my least favourite things… but not here, as it turns out.

Occult Academy (Seikimatsu Okaruto Gakuin)

Occult Academy* charges out of the boxes with its first episode – really throwing punches everywhere and culminating in uber-tsundere Maya standing on her father’s coffin, interrupting the funeral (taking place in in a school auditorium) and shouting about everything being ‘staged’.

Sound over the top?

It definitely is.

But the anime is well-aware of that fact too, and so if you watch episode one it’s possible at least to contextualise what I’ve just mentioned. And if you’re like me, after you’ve seen the ep you’ll probably be 100% hooked on the premise and characters.

Occult Academy (Seikimatsu Okaruto Gakuin) 2010

So, on to the plot! Simply put, Maya and Fumiaki investigate occult occurrences, searching for a way to prevent the end of the world. To add a bit of complication, they’re uneasy allies and he’s a time-traveller while she’s a sceptic, somehow filling in as principal of the school she attends. From there, the show grows increasingly off-the-wall, while holding things together with the central threat of a terrible future that must be avoided.

I thought both Maya and Fumiaki were great lead characters, as their own issues complicate their present day lives nicely. Some of the supporting cast are good enough to be scene stealers too – I’m thinking Smile and JK, and Ami, though I wanted to see a touch more from Junichirou also, especially as we might have a somewhat unreliable narrator with Maya.

Throughout the series, I found myself surprised here and there by a few twists. I also enjoyed the occasional moments of straight-up drama, a great contrast with all the supernatural and humour elements. As much as anything, I really enjoyed the distinctive, varied character design too. Once again, I feel like I’m hammering modern anime a bit… but with certain genres, the character design is a bit same-same, and that’s not the case with Occult Academy.

Ready for the fan-service paragraph? Aside from the typical costume stuff, I was surprised to see some that was vital to plot and character. But I guess if I say too much more, I’ll inadvertently drift into spoiler territory and for some reason, I think this anime is a bit forgotten now? IS that even true? I don’t see the physical edition up with many retailers and can’t remember if it’s available to stream in many places? (And 12 years is a long time in anime).

In any event, Occult Academy surprised me with its mix of humour, heart and the supernatural and I’d recommend it to folks who enjoyed… well, actually, I don’t think I have a handle on shows that include this mix of genres or tone. Maybe if you like a bit of time-travel mixed in with your supernatural, science-fiction, suspense, action comedy?

5 Stars

*Part of A1 Pictures ‘Anime no Chikara’ which featured 3 shows that were originals (Night Raid and Sound of the Sky also), and which inspired me to seek out the other two, which I hope to review soon-ish.

Jubei-chan: The Ninja Girl – The Secret of the Lovely Eyepatch

Another quick review today – feeling less than stellar after some dental work!

Jubei has so much going on re: the levels of parody and satire, and even a fairly constant stream of sight gags and absurdist stuff too – I recognised some but basically couldn’t keep up at all, and I’m sure I missed dozens and dozens of cultural allusions.

Jubei-chan: The Ninja Girl – The Secret of the Lovely Eyepatch (1999)

But the comedy aspect almost always still worked for me!

The series holds the overarching, action-based storyline within the fairly sophisticated comedy framework nicely, it was usually pretty funny and on top of which, featured some great action sequences throughout its 13 episodes – with some of the more intense ones happening during the closing eps.

Here’s the premise, adapted from Wikipedia:

Jubei-chan follows Jiyu Nanohana, a modern junior high school girl and unwilling heir to the Yagyu Jubei school of swordsmanship as she deals with a mystical artefact, the Lovely Eyepatch, and all the enemies who seek her power.

Now, rather than dissect the plot, I’ll leap in to some dot-point highlights before finishing up the review:

  • The kanji changes on Bantarou’s t-shirt were a fun extra layer to his scenes
  • (And his song was pretty funny too)
  • Sai, Jubei’s ghostwriter father, was an interesting character… for positive and negative reasons
  • Visually, there were plenty of ratio changes or dramatic close-ups of objects like candles etc, that really helped to sell the parody of Chanbara
  • The tropes of the Shounen anime also get a bit of good-natured ribbing too
  • I also enjoyed seeing certain characters (without spoilers) cycle through good/evil roles
  • Poor old Koinosuke
  • Visually there’s a great range of styles within the show as well
  • The charming and resolute innocence of Jubei is a great counter to the action + comedy, even as it works on its own comedic level
  • Bonus points for a cool transformation sequence!

Having mentioned all of the above, I did grow weary of everyone’s obsession with Jubei’s breast-size.

And also, can anyone explain to me what the hell Jubei’s father is supposed to be doing when saving Jubei from the fever? Anyone?

And finally, there’s a sequel series available but I haven’t checked it out just yet, might do so one day, not sure.

For fans of comedy, satire and samurai stories.

3 Stars (4 without the creepy shit).

As a quick, closing example to show a touch of the humour – there’s these two shots one after the other during a dialogue scene, which I really enjoyed.

Tiger & Bunny

Tiger & Bunny (2011)

Ah, superheroes who have problems beyond saving the world.

This is an ‘old’ series now, (first airing back in 2011) featuring a lot of comedy and action, typical of the genre, and both things that are definitely pluses for me. Having said that, my knowledge of superhero texts is very much limited, and to decades past, so I won’t be trying to contextualise things here.

I ended up binge-watching large chunks of the show because the story beats were spot on, and I was quickly invested in the world and the human struggles of the leads.  

Kotetsu is my fav, not just because I like Hiroaki Hirata’s work or the buddy-cop arc with Barnaby, but because Kotetsu pushes back the hardest against the corporations and their vacuum of values.

And while half the time you watch the anime you’re shouting at Kotetsu to do the right thing by his daughter, he’s definitely the kind of guy who will live up to his own convictions.

If you haven’t seen Tiger & Bunny but are planning to, I think that if you’re like me, before you get invested with the characters you’ll be hooked on the world itself.

The superheroes are basically competing with each other to maintain their corporate sponsorship, and so there are constraints placed upon them beyond the scope of their powers.

Commercial pressures and obligations to their ‘owners’ weigh heavy and so you have the heroes doing product placement and side projects to generate revenue for the corporations. It’s a bit like Idol + Superhero, something I personally hadn’t seen a whole lot of before.

A few quick dot points before I wrap up the review:

  • I hope Lunatic gets some more time in the new season as he is an interesting antagonist
  • Transforming the word ‘Barnaby’ into ‘Bunny’ is pretty good 😀
  • The slow thaw between Kotetsu and Barnaby is another high-point in the storytelling
  • Great opening theme song
  • The CGI hasn’t aged too much
  • I really liked the sleek mech-costumes for our leads too

Tiger & Bunny isn’t flawless of course (very few things are, right?) and there are a few cheap shots at the expense of Fire Emblem’s homosexuality, even sort of painting him as a harasser, which sucked.

You’ve also got the typical anime/superhero costuming which is both a plus and a minus – thinking about Blue Rose or Barnaby here I guess, but neither are one-note characters and there is a kind of ‘equal opportunity’ approach to fan service at times, lol.

Overall, plenty to enjoy if you like the genre and I’m definitely seeking the films next.

4 Stars

The Way of the Househusband (Gokushufudō)

The Way of the Househusband (Gokushufudō) 2021

By now, I think folks seem to have moved past some of the general disappointment surrounding this adaptation of Kousuke Oono’s manga. I can’t compare this with the original but if you’ve never read the manga then the anime might actually be a good introduction? Maybe? I don’t know.

Admittedly, I was expecting something quite different myself but I think that’s because Netflix did an exceptionally poor job of establishing expectations with its promo.

For context, if you haven’t seen The Way of the Househusband then imagine a manga with a little bit of movement, sound and colour and you’ll get a fair idea.

It’s pretty funny too 🙂

Although the bulk of the humour comes from the premise of a former Yakuza bringing his deadpan menace to the domestic world, because each episode is so short, the joke didn’t wear out its welcome for me. (I don’t know if I’d enjoy longer episodes as much, but I am definitely going to watch the next series.)

One highlight for me was Kenjiro Tsuda, one of my fav voice actors, and someone who I think is perfect for Tatsu. Another joy was his wife Miku, who’s probably the standout character from the show’s small recurring cast.

Now, if you’re on the fence about this series because the premise isn’t quite enough or you expect more animation maybe, I don’t know if I can convince you to give it a shot.

But if you also enjoy sight gags, slapstick* and hyperbole (so, the Comedy genre :D) then The Way of the Househusband might still satisfy. It’s also very digestible in terms of length per episode, so if you don’t have a lot of time and feel like something light this could be perfect.

4 Stars

*Perhaps best exemplified by the chapter where Miku’s dad tries to play catch with Tatsu, poor guy

Back Arrow (Bakku Arō) – Collaboration with Lita Kino

Morning all!

I’m excited to share another collaboration – this time on Back Arrow, where Lita Kino and I ask each other about the first three episodes. (Spoilers – we think you should check it out :D)

Thanks to Lita for diving in to Back Arrow with me too! If you haven’t already (or even if you have) you should visit Lita here at Anime Corner 🙂

Lita: Thank you Ash for the opportunity to collab with you. Even though our first idea went to pot. I really hope people give Back Arrow a try because I think it’s a great first time show for people who don’t watch mecha or wish to try to because it’s so less serious and more emphasis on fun with itself.


Ash’s Questions

1. What were you expecting before going in to ‘Back Arrow’?

The only expectation I had was a strong western setting terms of the background terrain, costumes etc. There was nothing I would ask for. I wanted to watch this not just because it’s mecha and I love it. Reminded me so much of Gun x Sword while the western settings are similar for me, Back Arrow is a curveball thrower. This series portrays itself as primarily fun majority of the time, this is something distinct within the first three episodes, it establishes. Introduction of the main protagonist Back Arrow arising from Rakuho, suffering amnesia with only memory of coming from beyond the wall.

Instead of this moment drawing on Back Arrow’s unfortunate circumstances with strong emotional emphasis. Back Arrow decides to go beyond the wall, without worrying about anything else. All the people from Edgar village staring at this strange man, butt naked. You feel like you are following an idiot of a protagonist and it works brilliantly for this series. It’s hysterical the first three episodes have been. I love series that serve up from what you expect like this, Back Arrow doesn’t pretend to be anything else. 

2. I was curious about how you’re responding to Shu after these first 3 episodes? Definitely feels like he’s holding the most back.

Shu is just full of mystery but he is an amusing man. Making a copy of the royal records had me laughing, but he is a man of science. That instinct and drive to do what it takes to grasp his goals. There is an underlying motive here but damn he is amusing. 

3. How are you finding the designs of the suits? (I’m getting a slight Power Rangers feel, which is fun.)

I LOVE this series concept regarding it’s mecha suits known as Briheight’s. The design of them reminds me of Gridman’s from SSS.Gridman but with a funky take. Concept of wielding these mechas based on your conviction is cool, each Briheight I’ve seen so far, really reflects the pilot as a person and personality. Mixture of conviction and becoming a pilot’s reflection, these mecha’s are definitely unique. This is another realm into the connection between man and machine. 


Lita’s Questions
 

1. We have a tradition of the main protagonist who has amnesia at the start. Normally there has been a strong emphasis and heartfelt plea at the start, also determination to discover who they are again. But we have a very lax protagonist who is just taking everything in hindsight as it comes. It’s this a refreshing approach to this protagonist tradition?

I think so, yeah. There’s sort of a refusal of the Call to Adventure – Arrow just wants to get on with own quest for the Wall and I’ve found that interesting. It feels like he’ll soften over time, but kicking off with an amnesiac who doesn’t seem to be very worried about that memory loss is interesting. Instead, he just dives into any situation with blind faith. Or conviction 😀 

2. I have yet to complete Back Arrow yet but the western centre reminds me so much of Gun x Sword. Been a long time since a western themed mecha has appeared. I think the outskirts of rocky and dune sand, the bright western costume designs look great. Do you think the western feel is there for Back Arrow?

It reminds me of Gun x Sword too, which makes me pretty happy. (In fact, the moment I saw Elsha and Atlee, I felt like two halves of Wendy had appeared onscreen :D). 

Agree! It feels like it’s been quite a while since a mecha show featured the western setting and isn’t it perfect for allowing the colours of the Briheights to pop too? I love the tropes I’ve seen so far, the village in distress, the stranger arriving to help etc. Really hoping they continue and that there’s a focus on stand-offs and duels.


3. I looked on MyAnimeList and this series has been rated 5 out of 10. I wonder if this is because people were expecting a series western here but the plot is pretty loose and so are the characters. This series is about fun 80% of the time, not what anyone was expecting. Do you like the loose fun factor here and the plot is throwing curveballs of absurdity as to where it may go? 

I wondered about that too. If I think about something similar in tone from Kazuki Nakashima, like TTGL perhaps, then that show’s already 14 years old – that’s pretty much an entire generation ago, I guess. 

And so maybe significant portions of current audiences just aren’t used to a show like Back Arrow?

Loose and fun is a pretty perfect description, yeah and maybe people did want something different? For me, I’m loving every second of how over the top it can be and I’m really looking forward to more curveballs, yes! For one, (I’m very curious about the Granedger and wonder what surprises it’ll hold in store.)


So, folks – tell us, are you watching Back Arrow? Planning to perhaps?

If you’re already watching it, how are you finding it so far? (Beyond the first three episodes the show continues to do more absurdist stuff and raise the stakes on the action too, I’m still enjoying it a lot for sure :D)

Trigun (Toraigan) – Gallery Post

Trigun (Toraigan) (1998)

So, I took a fair few screenshots and wanted to share some that I didn’t include before… just because, I guess 😀

Hopefully I don’t accidentally double up, but these are just meant to be shots or moments I found interesting in one way or another – if I have the energy I might add a few captions or comments here and there too.

Below, a shot from episode 4 which is actually where the manga starts, from memory.

Lots of dramatic, deep red and orange sunsets in Trigun.

Kuroneko Sama here appearing as she sometimes does, on a poster or a label etc, instead of in-person.

Below that, green, headless birds? 😀

Here is another (somewhat) rare shot of a city-scape that suggests the level of technology in the past/some parts of Gunsmoke is a fair bit more developed than most of what we see during the series.

Feels like the smoke below could almost read “SOS”.

Switch between power being the thing that hides clear view of Vash’s eyes and then his glasses:


Another costume/hair change for Vash.

For the two above, sometimes I forget the twin suns, obviously having some impact on how arid the setting can be.

I’ve always wondered who wrote this – sinister as it is, I can’t recall if Knives is supposed to be out and about at this point?

And done!

In the future, I might like to do this sorta thing again – have a series of posts for one show – and see how many I can build up. They tend to take a really long time though, so it might be a while.

Next time it could be Cowboy Bebop, or FMA or Neon Genesis or Samurai Champloo perhaps… not sure yet!

Trigun (Toraigan) – The Final Shoot Out Arc, Episodes 24-26

Trigun (Toraigan) (1998)

The final shoot-out!

While hardly so divisive as the ending to Neon Genesis, there are a fair few disappointed folks out there when it comes to Trigun’s conclusion.

It’s not an unfinished series, and it’s not the discontent from “it’s not like the manga” that I’m throwing out here in this post either, but something I guess somewhat different… but more on that below.

[Spoilers of varying degrees from this point onward]

So, the leading episodes first.

Wolfwood is quite the scene-stealer and I think you could argue that he does this in the final arc, as his exit during the previous episode hits pretty hard. It’s a bitter end to Vash and Wolfwood’s friendship, to the influence they have on each other too, and the ramifications continue into this arc.

You could certainly argue that his death is in service to Vash’s character development but it obviously functions within his own storyline too.

I say that because, like many other deaths or injustices in the series, they seem to operate (not only) as justification for Vash to finally, directly take a life. Legato and Knives have pushed Vash so close to the edge that, when he must chose to save Meryl and Milly by killing, he does so – and the pain that act causes is a neat, cruel time-bomb left by Knives.

But again, I think of it as necessary in order for the audience to accept Vash’s action, after all the pain he bore to save lives and prevent death in the preceding 20-odd episodes.

Okay, to the ending itself finally.

As I said before, I think the conclusion to Trigun is inevitable and it’s also very clearly set up. That doesn’t mean I found it entirely satisfying, but I don’t think the anime could have ended any other way – Vash was always going to save Knives, rather than take revenge.

Here’s why I think that:

  1. Vash is shown to be a pacifist, often and convincingly.
  2. Rem is kind of Angel-like and her memory functions as a paragon, and one Vash has been striving to live up to for over one hundred years.
  3. Rem charged him with “taking care” of Knives, which doubtless means not just protecting, but redeeming his brother somehow.
  4. When Vash kills Legato, we see that even killing an enemy has quite the impact on him (and the storyline paused to show us that with episode 25) making it clear that he’d never be able to do something similar to his own brother.

Okay, so, having made that list, I definitely wish that Knives had experienced a different consequence for his sociopathic reign.

It did not feel to me that he’d earned forgiveness, nor Vash’s almost infinite patience, and so the final shoot out between them, while impressive, had less of a visceral impact for me. In fact, I think the final flashback (of their years together after the crash) ended up being more compelling.

And I’ve always wondered, actually, what would the final episode be like if we saw the shoot-out first and then the long stretch of their past together?

… and there it is, six posts on one of my favourites 🙂 If you’ve never seen Trigun and it’s already on your list then I think you’re in for a fun ride. It’s one of those shows that feels like it has stood the test of time pretty well – and coming up on 25 years old soon!

But before I finish up (for now) I’ll quickly mention a few quick things like usual:

  • I’ve always wondered whether the narrative ‘punishes’ Wolfwood and rewards Vash for their respective lifestyles.
  • Poor Milly!
  • (I forgot this last post, but ‘Empty Smile’ guitar piece from the OST seems usually to be directed at Vash but its obviously aimed at Wolfwood instead during #23).
  • Animation quality goes up here in the last few eps.
  • Of course, as with many villains, Knives is deeply hypocritical – he still uses Plants himself for example.
  • …and finally, Milly’s laugh after the boulder is pretty great.

I think I will do a gallery/extra bits and pieces post tomorrow for fun – so one more Trigun post coming tomorrow sometime!

Trigun (Toraigan) – The ‘Doubts’ Arc, Episodes 18-23

Trigun (Toraigan) (1998)

Post number five for Trigun – this time it’s a span of episodes that I’ve called something simple, just ‘Doubts’ as I reckon it suits fairly well.

To contrast with the excitement at seeing everyone together again (not right away), there’s an undercurrent of unease here, of impending doom. Part of that feeling for me is fed by the ongoing tension between Vash and Wolfwood’s respective approaches to life.

Opening up with ‘Eriks’ I’m always struck by the sadness that’s pushing forward now – Vash is doing his best to protect everyone by hiding away, but of course he can’t help but form bonds with the people he meets, bonds which we all know are going to be broken. (The use of ‘Not An Angel’ in the OST here always gets me too).

And more, while Wolfwood sort of brings the gang back together there’s a cost – once again, to those Vash loves.

Especially in the ‘Flying Ship/Out of Time’ episodes, as more Gung-Ho Guns attack and interrupt those important memories connected to Vash’s past. To me, it feels like a few bits might even be overplayed but on the other hand, it’s all building to something. The narrative really, really wrings Vash out here, forcing him to absorb more grief on behalf of the promise he’s trying to keep for Rem.

Of course, even the fearsome Vash the Stampede has a limit. And while we don’t see him reach it in these episodes, he gets plenty of trauma to nudge him further toward Wolfwood’s way of life. It’s trauma the narrative needs to show the audience, I reckon, in order to have them accept something that’s due to happen later.

And Nicholas himself is still pushing Vash too. Maybe he can’t accept that someone could ‘permit’ the suffering of many by a refusal to commit violence, while clearly also wanting to prevent it. I guess it’s another facet of the tension between Vash and his world view and so many others upon Gunsmoke. (Actually, maybe that’s a bit simplistic of me).

I guess you could argue that it’s an extension of the ‘outsider’ trope, a classic one that Vash fits really well, not just via his character design with the red coat and blonde hair, but of course his pacifism. Which kinda sets him up as an underdog too, which is another way to manipulate an audience… but I’m always happy to go along with it.

And Vash has the contradiction of being a gunslinger but one who doesn’t want to draw blood – at times he’s covered in the imagery, poses, props and conventions of violence as equivalent to ‘cool’, but the goofy side, the gentle side both add that internal tension to his character.

So, getting back to the arc itself again, toward the end of this stretch of episodes is where Wolfwood confronts his own reluctance to commit a certain act (that I won’t spoil just in case). And I’ve always found it striking that he tells Vash “don’t tell me your dream in a place like this” here, another quote that always leaps out at me.

Some more quick observations:

  • Milly being late to work 20 times, I think it was
  • The rare costume change in ‘Hang Fire’ (#19) for Vash
  • I always thought the puppet master/dolls are creepy designs that double as good ‘fodder’ for Vash and Wolfwood – allowing the heroes to do some damage, and give the audience that outlet, without murdering
  • Chapel is a pretty memorable character, maybe a bit under-utilized perhaps
  • Finally we get to learn the sad truth about Plants

Well, it seems that the next and final* post is suddenly right around the corner – the ‘Final Shootout‘ with episodes 24 – 26!

(yep, I had to use a Western trope for the title of this arc).

*Well, there might be a gallery style post too 😀