Cyber City Oedo 808 (1990)
This is a classic (and fairly violent) OVA series and one which I suspect most cyberpunk fans are at least aware of, but is definitely worth watching if you like the genre but have never had the chance; it’s probably online somewhere by now but I’m not sure who streams it.
For me, so much of Cyber City Oedo 808 feels wonderfully connected to the 1980s (no surprise considering the release dates) whether it’s the assumption that floppy disks will be part of the future or the big hair and heavy metal theme song, or the old school blue palette used for night, it has so many things that I tend to be fond of.
At the same time, in terms of plotlines, the anime is a little more fantastical, even mystical – considering the way machines and computers infiltrate humanity, but especially when I think about episode 3 (Crimson Media) which features the ‘vampire’ storyline.
But in all the big ways it’s definitely science-fiction.
For one, there’s a crime-ridden, megacity-setting where the power of technology is used to both monitor and maim. Cyber City Oedo 808 also makes extensive use of futuristic weapons, equipment and vehicles, and conventional ideals of what it is to be human are abandoned. It’s not a long exploration of those issues though, since the focus is firmly on action, technology and sometimes the gore (directed by Yoshiaki Kawajiri)… so the anime is not setting out to be philosophical perhaps, but I felt like there was plenty of room to consider those aspects if I wanted to.
Cyber City Oedo 808 follows three convicted criminals who have been offered the chance to commute their sentences by hunting down and executing other criminals. Each lead basically gets their own episode, though they do operate (somewhat grudgingly) as a team at times.
I quickly alluded to this before, but as a Yoshiaki Kawajiri film, there is a bit of fan-service when it comes to the detail on the violence, but in a way, it seemed like both less and more than what you’d see in things like Wicked City or Ninja Scroll.
With each episode, the storytelling is really focused; I felt like I was in good hands when it came to info around setting and character motivation too, and I hadn’t realised that Akinori Endo also did screenplays for Armitage III and Battle Angel, which was cool.
I love each storyline and so it’s hard to choose a stand out without going into spoiler territory, but since Benten is my favourite character, I reckon I have to go with the menace of Crimson Media, complete with its quieter moments. (You can also see a real echo of Benten’s own temperament in ‘villain’ Media, but again, I don’t want to drift into spoilers here!).