The Dawn of the Deep Soul film continues with the ‘let’s do unspeakably cruel things to cute kids’ approach that featured in the first season of the anime.
Made in Abyss: Dawn of the Deep Soul (Fukaki Tamashii no Reimei) 2020
Now, that doesn’t mean that I didn’t enjoy the movie – that would be a lie, but some scenes will probably be hard work for most viewers, so take note if you know you’re not up for that sort of thing right now (or ever).
To contrast all that was harrowing about the movie, I’ll say that the amazing perseverance of the kids who keep fighting, no matter what, ends up being uplifting.
Although, perhaps what I enjoyed most about the film was the expansion of the world featured in Made in Abyss, learning more specifics around its often twisted workings.
Another highlight for me was the first fight scene between Bondrewd and the kids – put me on the roller-coaster a bit, because I was well-aware that it was far too early in the film for a resolution.
I don’t really have much in the way of criticism, save for something that’s relatively unfair – which is that the sense of travel and encountering new wonders and horrors is somewhat reduced here. And of course – it’s one film, not one season, and one film focused on a very specific location, Bondrewd’s fortress of horrors.
And I’m not sure this is a criticism precisely, but there are times when it’s clear how the narrative is going to traumatise Riko and co, and even the seemingly more stalwart Nanachi, and so some scenes may or may not land as hard as intended.
Again, whether you experience something similar or are even bothered by it is probably not going to be a big issue, if at all. Sometimes anticipation heightens the suffering too, lol.
Other than that, the film was often harrowing, occasionally uplifting, and pretty much every minute of it compelling.
(And also – before season 2 happens during the ‘summer’ of 2022, I reckon this film is a must if you’re planning to keep watching the Made in Abyss series).
it’s been a little while since I hosted a collaboration here, so I was really happy that Scott was up for working with me on Kiki’s Delivery Service – the famous Studio Ghibli adaptation of Eiko Kadono’s book (and top-grossing film in Japan for 1989).
If you’ve not had the chance to see this film, I hope we’re able to make you at the very least, curious enough to check it out!
Kiki’s Delivery Service (Majo no Takkyūbin) 1989
Ashley: Hey! Excited to start this collab, especially as it had definitely been a while since I’d seen Kiki’s Delivery Service and last time we worked together was on a mecha show, so this should be a fun contrast.
How long has it been for you? I wondered if you noticed different things about the movie this time around?
Scott: Hey Ashley! I’m excited too. It’s been way too long since the last time and I think this one will be a fun one to discuss.
Honestly, it’s been way too long for me. Over a decade and half I think. Ever since my high school marching band days when we watched films on these nice buses that have tv screens that we could watch movies from. Kiki was a staple for that.
To be honest, I can’t say that I really noticed anything particularly different. The screen I watched it on was small and with the length of time, it’s like watching Kiki’s Delivery Service for the first time.
How about you?
A: Cool, what a contrast from the bus tv and environment to a more controlled one at home 🙂
It’s been a few years for me and this time around I was reminded just how key Joe Hisaishi’s music is to the overall Studio Ghibli feel for me, how it really adds to the whimsy (or the drama in some of the flying scenes) but also the scene-setting.
I had also forgotten that Jiji is voiced by Rei Sakuma and her voice (and characterization) is obviously quite different to Phil Hartman’s, whom I had become really accustomed to. It’s an interesting contrast, especially in terms of their respective personalities in the original vs the dub – Hartman’s Jiji has a fair bit of that classic Disney sidekick comic-relief that’s not present in the Japanese release. I definitely love his performance but it was fun to see another side to Jiji.
S: Oh yeah, I agree with that feeling. The big question I have is if Joe Hisaishi didn’t do the OST for it, is it really a Ghibli film? I mean probably, but it wouldn’t feel the same.
I feel like there are always some localization changes like that in English versions of Ghibli films. Like, Princess Mononoke had a prologue narration while the Japanese version didn’t or how Spirited Away had San say “oh, it’s a bathhouse”, because that’s not a thing in the United States. So I suppose that going with that choice made sense for this film for western audiences.
So this film. Kiki is quite a film isn’t it?
A: Yes! I love coming of age films and so Kiki… automatically ticks a lot of boxes for me.
I also really like how much dramatic tension there is in seemingly small stakes, such as those that come from delivering items, retrieving items or making the switch with Jiji etc, which is contrasted with the emotional beats of her quest for acceptance, self-discovery and of course, the bigger, action-based stuff in the latter half of the film.
S: I love them too, honestly. A well done coming of age story are some of my favorite things. So relatable and can be applied to so many scenarios to keep it fresh and interesting.
As for digging into details, there are so many of them in the story that just add so much extra fluff into it for me too. So many good little bits of micro attention that just makes the film a lot better then the viewer would first expect. I feel like that coincides with Kiki establishing herself because every moment is a little bit of tension.
A: I feel the same with those small details, like the work on the pastries or the slow warming of Osono’s Husband toward Kiki, or the stunning backgrounds, especially when it comes to the buildings. I feel like it’d be easy to do a whole post just on the scenery 😀
If you had to pick a high point for that tension around Kiki’s growth, what would it be do you reckon?
S: Exactly and there are just so many little bits like that to make the world feel so organic. Just like the bus driver given the time to actually close the door because he drives off. So many small things like that which add up and make the experience just so grounded.
Oh, the moment of tension? I feel like its centered around Kiki’s relationship with Tombo hits a whole point. Probably where she questions her magic. Very much where all the tension in the staying in that city suddenly explodes. I could be wrong about that though…
A: Same again! In fact, the questioning of her magic always made me a bit sad. The crushing, somewhat comparatively dull adult world pushing its way in?
Maybe that’s a little negative of me – Kiki certainly finds plenty of fulfillment doing things adults do as well. Her sense of purpose and confidence from her independence, which is earned through all those non-magical things.
S: Isn’t questioning her magic so relatable though? She’s a little too early in her own life to think that was though. Especially comparing herself to her mom. Maybe she is growing up too fast by doing the usual witch tradition.
Yeah, I think her finding out she doesn’t need her magic to be around people or just live is a good way to carry this story. I think that her magic coming back from that understanding feels completely natural because of it.
A: It really is, definitely – and it suits the overall uplifting tone of the film too, huh?
So before we finish, I wanted to ask what or whether anything didn’t work so well for you?
S: I feel boring in saying in saying that I don’t have much against it? In some cases I just felt a bit rushed at some times? Some scenes didn’t have as much room to breathe as they could? That’s about it for me.
I really don’t have much to say against it. What about you?
A: For me I thought I was going to say that the film was a touch long… and yet, is that even true? Do I even have any actual criticisms – I don’t think I do, either 😀
It really feels like the Studio Ghibli team firing on all cylinders, creating a really fantastic adaptation, and visually, nailing the match of theme to visuals, of character to expression etc. So I’m like you – loved it, can’t really find anything to complain about!
And finally, huge thanks to Scott for joining me for another collaboration 🙂
Occult Academy* charges out of the boxes with its first episode – really throwing punches everywhere and culminating in uber-tsundere Maya standing on her father’s coffin, interrupting the funeral (taking place in in a school auditorium)and shouting about everything being ‘staged’.
Sound over the top?
It definitely is.
But the anime is well-aware of that fact too, and so if you watch episode one it’s possible at least to contextualise what I’ve just mentioned. And if you’re like me, after you’ve seen the ep you’ll probably be 100% hooked on the premise and characters.
Occult Academy (Seikimatsu Okaruto Gakuin) 2010
So, on to the plot! Simply put, Maya and Fumiaki investigate occult occurrences, searching for a way to prevent the end of the world. To add a bit of complication, they’re uneasy allies and he’s a time-traveller while she’s a sceptic, somehow filling in as principal of the school she attends. From there, the show grows increasingly off-the-wall, while holding things together with the central threat of a terrible future that must be avoided.
I thought both Maya and Fumiaki were great lead characters, as their own issues complicate their present day lives nicely. Some of the supporting cast are good enough to be scene stealers too – I’m thinking Smile and JK, and Ami, though I wanted to see a touch more from Junichirou also, especially as we might have a somewhat unreliable narrator with Maya.
Throughout the series, I found myself surprised here and there by a few twists. I also enjoyed the occasional moments of straight-up drama, a great contrast with all the supernatural and humour elements. As much as anything, I really enjoyed the distinctive, varied character design too. Once again, I feel like I’m hammering modern anime a bit… but with certain genres, the character design is a bit same-same, and that’s not the case with Occult Academy.
Ready for the fan-service paragraph? Aside from the typical costume stuff, I was surprised to see some that was vital to plot and character. But I guess if I say too much more, I’ll inadvertently drift into spoiler territory and for some reason, I think this anime is a bit forgotten now? IS that even true? I don’t see the physical edition up with many retailers and can’t remember if it’s available to stream in many places? (And 12 years is a long time in anime).
In any event, Occult Academy surprised me with its mix of humour, heart and the supernatural and I’d recommend it to folks who enjoyed… well, actually, I don’t think I have a handle on shows that include this mix of genres or tone. Maybe if you like a bit of time-travel mixed in with your supernatural, science-fiction, suspense, action comedy?
*Part of A1 Pictures ‘Anime no Chikara’ which featured 3 shows that were originals (Night Raid and Sound of the Sky also), and which inspired me to seek out the other two, which I hope to review soon-ish.
I hope that Kino’s Journey is considered a classic beyond my limited sphere, since I reckon it’s a wholly compelling series from beginning to end.
Ideally, I’d launch into my reasons for saying why I enjoyed it so much – but I want to instead start with some of my quibbles. And since they include spoilers, I’ll just place a pic or two here first.
Kino’s Journey —the Beautiful World— (Kino no Tabi) 2003
The series is really sparing with details about Kino herself.
I suspect I know at least a few reasons why that would be so, but I still wished there had been time to learn more. Even the episode that introduced Kino’s namesake could have offered us a little more – perhaps a double episode? That would have been great.
(My issue here is obviously something that would have been mitigated by a longer series.)
Secondly, I’m not sure how much I enjoyed the text cards throughout – I liked their function as prompts but I don’t know how effective they were.
Of course, that’s not a bad ratio – two complaints only, right?
So, onto the stuff I loved.
For one, the world building is great – each destination is enthralling and usually pretty distinct, and having Kino’s three-day rule is a perfect way to keep things episodic, which is in turn, the perfect structure for a traveller.
In fact, I wanted another season, another set of surprises and moments that had me pause to think, moments that caused me to question what I thought I understood about any given situation presented in the stories etc.
I guess it wouldn’t be inaccurate to call Kino… a pretty cerebral anime, but it wasn’t a static talk-fest by any stretch.
There’s enough action, movement and lovely visuals to probably keep even casual viewers engaged too – and not just the Colosseum episodes, which came to mind for me first.
One issue I have seen mentioned here and there is Kino herself.
She has a somewhat restrained or even emotionally detached personality (and voice – a delivery that suits her well), though she doesn’t lack compassion at all, I can see times where I wanted her to grow more involved.
It’s also a useful way to give the audience room to insert themselves into the ethical dilemmas, to potentially avoid being swayed by the main character’s choices or beliefs.
I liked the choice and I now find myself wondering about it – was it something unique to the anime, or is Kino similar in the source material?
And perhaps above all, her personality really makes the impact of that last episode a lot stronger, to actually see something really hit home for Kino – where previously she’d been in far greater control of her emotions, she’d been perhaps a little too sure in her role as observer of all that ‘beauty’?
It does seem a bit like a shield for her, and considering her past, it makes sense that she’d be pretty guarded.
Okay, I think that’s about it from me – time to end this review with a few dot-points that I probably could have fit elsewhere, but didn’t:
I really enjoyed the muted palette and the occasional use of sepia
‘Persuader’ is an equally striking and troubling name for guns
Loved the Florence-like setting in the Land of Prophecies episode
Kino’s sense of self is strong, also being quite uninterested in labelling herself – simply claiming to be ‘Kino’ when asked at one point, which is an interesting contrast to her more impartial personality traits
Some other fav episodes were the opener and the finale, along with the Land of Wizards and also when we see the nod to Fahrenheit 451
I feel semi-confident recommending this to any anime fan. (Well, any one save for those few out there who only tend to watch a single, narrow sub-category of the medium, I guess.)
Maybe I ought to qualify that claim a bit more with a summary and a few extra bits… and so I think it’s time to bust out a non-essential table 😀 And so below there’s some reasons why I think Kino’s Journey is worth a shot, presented in a hard-to-read table format, lol
I know there was a remake/re-telling/another version of Kino’s Journey released in 2017 but I haven’t seen it. I’m curious… but maybe not enough to actually give it a shot in a hurry as I finished this iteration pretty happy, really.
Anyway, to finally actually wrap up this review, Kino’s Journey is another obvious contender for an update to my Top Ten list.
Book of Bantorra is definitely more than its fan service – though if you need some, then the costumes for Noloty and Chesty La Rue Hamyuts Meseta will have you ‘covered’.
And even, to a far lesser extent, Matt or Enlike.
The Book of Bantorra (Tatakau Shisho: The Book of Bantorra) 2009
But beyond the window-dressing, there’s a high concept fantasy/action story split into fairly strongly connected, non-linear narratives, full of mysteries and hidden motives.
And it has a stellar opening theme song:
So, what’s the plot?
In a world where dead people turn into books and are stored in the Bantorra Library (where anyone who reads a book can learn their past), Armed Librarians who wield psychic powers defend the Library from their enemy: a religious society known as Sindeki Kyoudan. (Adapted from MAL).
In summary, it sounds a little silly, but I came to accept the premise of the world soon enough.
And there is a neat and clear reason for all of what seems so bizarre on the surface of the world too, but the series does a nice job of keeping the truth if not hidden, at least obscured for a good long while, and then explaining a lot of the mysteries too.
With the unique premise and fascinating world in place, and mysteries abound, the strength of Book of Bantorra I thought still rested with the range of characters. For the most part, they all get time to have some back story and depth in the present, with small arcs or important roles to play, and occasional quirks too.
In fact, the story of Shiron and her trials with the Shindeki Church could have been an entire season for me – and I actually thought, early on, they were going to dominate the series but as I mentioned above, there are a lot of connected plot lines from up to a dozen viewpoints, so be prepared for many threads coming together by the end.
(Having said the above, I could see that if you weren’t hooked on the characters or world-building pretty quickly, then this anime could very well feel frustrating and muddled).
In terms of aspects I personally didn’t enjoy as much, I felt that the soliloquising and/or grandstanding from some of the antagonists was pretty tedious – one of my pet peeves, perhaps.
The ultimate villain was a little underwhelming too, and while Hamyuts’ bra-size seems like obvious pandering, she did have an actual arc and voice actress Romi Park was pretty convincing re: creating the sense of Hamyuts as untrustworthy.
I’m glad Book of Bantorra was from an era where it wasn’t unusual for an anime to run for 25+ episodes, as this story needed to be that long in order to wrap things up.
In terms of a recommendation, well I think if you like action, fantasy and as I mentioned/warned early in the post, if you like multiple, interconnected narratives too, then there’s a chance you’ll enjoy this anime.
I’m glad I stumbled across it, as I’ve rarely seen it mentioned.
Another quick review today – feeling less than stellar after some dental work!
Jubei has so much going on re: the levels of parody and satire, and even a fairly constant stream of sight gags and absurdist stuff too – I recognised some but basically couldn’t keep up at all, and I’m sure I missed dozens and dozens of cultural allusions.
Jubei-chan: The Ninja Girl – The Secret of the Lovely Eyepatch (1999)
But the comedy aspect almost always still worked for me!
The series holds the overarching, action-based storyline within the fairly sophisticated comedy framework nicely, it was usually pretty funny and on top of which, featured some great action sequences throughout its 13 episodes – with some of the more intense ones happening during the closing eps.
Here’s the premise, adapted from Wikipedia:
Jubei-chan follows Jiyu Nanohana, a modern junior high school girl and unwilling heir to the Yagyu Jubei school of swordsmanship as she deals with a mystical artefact, the Lovely Eyepatch, and all the enemies who seek her power.
Now, rather than dissect the plot, I’ll leap in to some dot-point highlights before finishing up the review:
The kanji changes on Bantarou’s t-shirt were a fun extra layer to his scenes
(And his song was pretty funny too)
Sai, Jubei’s ghostwriter father, was an interesting character… for positive and negative reasons
Visually, there were plenty of ratio changes or dramatic close-ups of objects like candles etc, that really helped to sell the parody of Chanbara
The tropes of the Shounen anime also get a bit of good-natured ribbing too
I also enjoyed seeing certain characters (without spoilers) cycle through good/evil roles
Poor old Koinosuke
Visually there’s a great range of styles within the show as well
The charming and resolute innocence of Jubei is a great counter to the action + comedy, even as it works on its own comedic level
Bonus points for a cool transformation sequence!
Having mentioned all of the above, I did grow weary of everyone’s obsession with Jubei’s breast-size.
And also, can anyone explain to me what the hell Jubei’s father is supposed to be doing when saving Jubei from the fever? Anyone?
And finally, there’s a sequel series available but I haven’t checked it out just yet, might do so one day, not sure.
For fans of comedy, satire and samurai stories.
3 Stars (4 without the creepy shit).
As a quick, closing example to show a touch of the humour – there’s these two shots one after the other during a dialogue scene, which I really enjoyed.
Supernatural investigations led by the lovely but cruel Superintendent Ryoko.
A quick review this time!
Ryoko’s Case File (Yakushiji Ryōko no Kaiki Jikenbo) 2008
This was a short and fun series, and I found it interesting to see some politics mixed in with the supernatural too – though it probably takes a bit of a back seat to the intrigue.
There’s also a ‘girls with guns’ feel here too, which was another plus in my books.
In fact, the anime covers a few genres (in addition to the above there’s romance and sci-fi too) and maybe what holds things together most is the relationship between long-suffering Junichirō and Ryoko (who isn’t always cruel, thankfully).
There is a central plot line and an antagonist that probably makes an appearance a bit too late, but I do like episodic stuff for the most part. And in truth, the bad guys have some surprises up their sleeves so they remained engaging for me.
Ryoko’s Case File also has room for a bit of humour, which helped elevate some individual stories above others, and overall I enjoyed this ‘old’ show a lot.
Now, I don’t see it popping up on anyone’s Top Ten lists but if you want something enjoyable and a bit different from some of the genres that dominate modern anime today, maybe try to find this short series.
In many ways this is a less compelling echo of the film.
Same lead character of Jubei, similar quest feel with stumbling blocks presented by different monsters/adversaries to defeat, and there’s even some (toned down in comparison) sketchy content, but all without the production budget and schedule of a feature film.
Ninja Scroll: The Series (Jūbē Ninpūchō Ryūhōgyoku Hen) 2003
Naturally, there are going to be differences between the two forms – and I don’t always like to compare based on budget; as I should take the time to describe and evaluate a thing upon its own terms, right?
Still, I think at least some comparisons are worthwhile for this review – one of which being the MA vs R rating.
Another is the tone, far more comedic at times.
The Ninja Scroll series has significantly slower pacing too, as its straight-forward quest storyline is stretched to fit into the monster-of-the-week format (a format that I usually love).
Despite what probably sounds like a long list of grievances here, I enjoyed individual episodes enough to overlook the at-times stark differences between series and film, such as the Shelter from the Rain and A Dragon Within eps.
It was interesting also how bold this one is, with more exaggerated character design and the use of brighter colours; the series does ensure that it’s distinct from the film. However, in terms of storyline, in a way, the anime seems only generally concerned with the main quest its characters are on, and the supporting cast has limited impact on plot or theme, leaving the heavy-lifting to Jubei.
(Well, aside from Shigure, but she’s sort of ‘tagging along’ in her own story, sadly).
Further, while the design of a lot of the creatures and enemies were usually pretty interesting, during a lot of their scenes, I found myself keen get back to the main quest.
In that respect, the last two episodes were among my favs, since the team got to the lost shrine/city at last and kicked the magical aspect up a few notches at the same time. (There were also a few fun surprises toward the end, a nice escalation of stakes also).
However, I’m not sure I’d recommend Ninja Scroll to everyone, but if you love supernatural ninja stories there’s going to be at least a few elements you’ll enjoy. In addition, I liked the OP a lot!
BEM: Become Human (2020) follows on directly from the series but you could probably pick up the movie and have a different but equally enjoyable experience – how exactly it would differ probably strays into spoiler territory, though.
Immediately, the higher budget(and change to Production IG) for the film was clear, with more detail, bigger battles and overall smoother animation across the board (esp transformations and action) than the short series.
There are also subtle changes in character design and a narrowing of focus when it came to the story too – this is very much Bem’s tale. For me, that was both a strength and a weakness to the film, as Bela is sidelined and Belo only gets a bit of action, but overall the most screen time (and impact) comes from Bem’s struggle.
On the other hand, having the three leads separated does add some dramatic tension.
The main theme of what does it mean to be human? is still front and centre, allowing Bem’s backstory to sneak into his search for truth about himself and the city he seems to be trapped within.
In regard to the setting, it was perhaps the other stand out for me – I found it fascinating how much it reminded me of the original Westworld, Stepford Wives or the Truman Show perhaps. Since pretty much the whole city is in on the deception, there was a great sense that everyone was a villain or at least, untrustworthy.
I will say that I wished there had been time for the movie to do a little more with the relationship between Bem and his ‘wife’ perhaps, and I’ve already mentioned not enjoying the lack of attention given to the supporting cast (Sonia gets more time than the others) but overall, I’m glad I stumbled across the series and, in turn, the movie.
Definitely for fans of the supernatural or perhaps late 1960s manga.
Here’s another anime where I have no knowledge of the source material, allowing me to head in to the viewing without ideas of what it ‘should’ be perhaps.
Having said that, I wonder if Bright: Samurai Soul would have been stronger as a short series rather than a film?
In any event, if you give this movie a shot I think you’ll at the very least find the visual style interesting, since the woodblock style is compelling, and all the yellows, reds and muted greens work so well to contrast the blues used for the leads.
Since this will be a short review, I’ll skim over a few things I’ve considered mentioning but basically, I liked the characters and (most of the time) really liked the music from Lite, and while the quest/magical artifact story-line hit all the right notes for me, it all felt a little too brief.
One final aspect I enjoyed was the bit of time here and there for a quiet moment, or the way prejudice was shown, along with the hints of society undergoing change.
Yet overall I think I ‘only’ liked it rather than loved it. Maybe if you’ve seen the original you might like to compare here, or perhaps you just like swords and magic like me 😀