Very short post this time around, might do the same with No Guns Life tonight, actually, while I’m swamped with other stuff.
Action aplenty and more intrigue too – things are building swiftly now, and I wonder if the story will expand beyond the confines of the current boundaries, a bit like Gurren Lagann did for example?
I’m not sure but it feels like those flashbacks with Natsume and her dad were also foreshadowing the idea that we’ll get to see the surface sooner rather than later?
The tension between Natsume’s idealism and Kaburagi’s cynicism and fear was great too – but of course, she’s a classic hero and so she’s pushing on against the huge odds that the story has set up with the snow Gadoll.
A long wait ahead to see exactly how she survives, I guess 😀
I enjoyed plenty about episode three, but probably the combat training and slapstick there with Natsume the most. As before, the clash between worlds/art styles continues to give me pause at first, but I’m sure I’ll eventually acclimatise to the Furby/Regular Show-like aspects to the visuals.
It was great to get another hint that something else is afoot, re: Kaburagi and Pipe (who remains almost ridiculously cute) because I am glad there still seems to be secrets left in the storyline. Nice high-tension ending to the episode too, and I had a chuckle at Natsume and the arms dealer.
At this early point in the story, I’m still not feeling the dystopian aspects that have been hinted at, not quite feeling the full fear for humanity yet, even with the educational video – maybe I need to see what’s left of the surface, and especially see it presented in a non-cutesy way.
‘Interesting’ is my first thought with episode two.
And not in a sarcastic way, I am interested to see how things continue to develop – but maybe I was at least half right that this show isn’t going to be super-gritty… maybe.
Once the twist landed, I had an instant reaction – it seemed that a whole heap of the dramatic tension was sucked from the world; suddenly very little was at stake, since the characters were avatars.
And I still half feel that way, or maybe that’s the moe facade that fools me a little. Because certainly, there are consequences lurking for Kaburagi and if you’re human there’s plenty of danger.
But as I’d hoped, I got some follow-up from episode one, some answers and more importantly, new engaging questions, so I’m definitely still on board and ready for the next installment in the story.
Especially as it will probably, at the least, check in with the wider cast too. And I’m keen to see a little more of the fortress itself, along with extra details on how precisely the scam is operating.
It’s nice to have the classic Big Evil Corporation in place as something for the characters to (eventually) rail against too.
Firstly, I want to quickly note that I’m not great when it comes to episode reviews of seasonal shows; I can’t always keep up (or find much to say on a per-episode basis), but I’ll give it a shot with Deca-Dence andthe also second half of No Guns Life this time around.
I suspect that this series has the clear potential for a certain ‘bitterness of hype’ I guess I’ll call it, but it’s a familiar thing: we all know how it goes – promo art, previews and the first episode establish high expectations for an anime… and then as the series goes on, various minor personal preferences held by certain audience groups (and disguised as universal indicators of quality) aren’t met.
Once this happens, said groups quickly turn on the thing they thought they’d enjoy and proceed to proselytize about how bad said show is.*
Now, I can maybe see this happening with Deca-Dence because the preview almost suggests a militant Howl’s Moving Castle + more action in some respects. And I do wonder if some audience members will be on board with the coming of age and comedy aspects which seem just as prominent, if said folks were expecting something grimmer.
Essentially, I’m using a bit of a straw man here, in part because it’s a prediction of how I think the show might be received but also because I’m talking about a vaguely-defined specific audience sub-set. And more, it’s risky of me to predict anything, since only one episode has even screened and so I’m bound to fail in this prediction 🙂
But I’m throwing it out there anyway, and wanting to be wrong about it by the way – I want lots of folks to enjoy this.
So, why am I already so invested in the series? One main reason further below, but first – finally, impressions of the episode itself and why I liked it:
You have my aforementioned bias toward coming of age stories, toward action and comedy and of course, the monstrous fortress itself and the vaguely dystopian setting. I like all of those things, and further, it’s a bright show so far in terms of colour, which gives me the sense that there’s a bit of an ‘adventure’ feel to Deca-Dence.
I also like the shonen-style ‘positive-outlook’ heroine in Natsume, and I think it’s clear that her idealism is going to clash with Kaburagi’s world-weariness, which should create some fun tension in their mentor-mentee relationship. The world-building I really enjoyed too, with the weapons/pipe-harvesting and the acrobatics of the fight sequences.
There are already hints at bigger mysteries to be solved, but also smaller, personal ones too and the climax was satisfyingly big enough for me, even if maybe I didn’t feel it quite the same way it looked like it should have ‘hit’. I do wonder whether Fennel will deal with his mistake, and I’m also curious about how at least one of Kaburagi’s secrets will play out too.
I haven’t seen any other works from NUT yet, but Yuzuru Tachikawa is certainly well-loved for Mob Pyscho 100 at a minimum, so it feels like this will be a great series!
And now at last, that ‘main reason’ which is thus: I badly want studios to continue taking risks on original stories. I know I’ve harped on about this before, but since big business tends to be ‘risk-averse’ it can mean less variety in shows they make, less chances taken on things that aren’t ‘sure-fire’ adaptations.
Looking forward to next episode!
*Speaking of that particular mistake, I’ve certainly conflated a ‘favourite aspect of storytelling’ with a ‘high quality thing’ before myself, it’s hard to avoid sometimes.