Back Arrow is bursting at the seams with exuberance and I enjoyed that a lot.
Back Arrow (Bakku Arō) 2021
For me, it’s wildly over the top and dead sincere at the same time, leaping between those two contrasting extremes. In that way I guess you could say that there’s a mix of aspects from shows like TTGL and Gun x Sword, among others.
A while back, Lita and I did a ‘first reactions‘ kinda collab and I’m happy to say my response to the show remained quite favourable indeed.
Now, in other reviews I’ve definitely criticised stuff that hops between extremes (or wildly contrasting tones) but obviously I don’t always have a problem with it. I thought Back Arrow shifted in such a way that I was expecting things to be a bit off-the-wall from the beginning, and so it didn’t bother me.
All the shounen tropes and clichés (and bizarre humour) are out in full force in Back Arrow (the choir! the wine bottles!), declarations shouted with clenched fists, escalating battles and a huge finish.
It was hard to believe in a way, but as the last few episodes unveiled new and more gigantic surprises in terms of that escalation, I was swept up in the sense of fun – all the amps go up to 11 here.
In terms of fav characters, Shu stands out for me, since he forges his own path, though I will say that his key betrayal actually seems poorly handled in respect to another character, considering the supposed importance of a certain flashback. That’s probably pretty vague if you haven’t seen Back Arrow but I was hoping to avoid spoilers.
So I’ve written a few paragraphs now without mentioning the plot but it includes some of the big stakes I’m looking for: save the world and know thyself, along with a big enough cast that a few folks get to live out different aspects of each.
I can see how this show might fail to meet the needs of some audiences – some of the key anime that Back Arrow is channelling across its 24 episodes were now released generations ago.
And to be honest, there is a strangely childish part of me that really enjoys the fact that Back Arrow seems to be almost a cult show already.
That’s actually a bad thing, though – I want Back Arrow to be more popular so that more shows like it get made.
I’m excited to share another collaboration – this time on Back Arrow, where Lita Kino and I ask each other about the first three episodes. (Spoilers – we think you should check it out :D)
Thanks to Lita for diving in to Back Arrow with me too! If you haven’t already (or even if you have) you should visit Lita here at Anime Corner 🙂
Lita: Thank you Ash for the opportunity to collab with you. Even though our first idea went to pot. I really hope people give Back Arrow a try because I think it’s a great first time show for people who don’t watch mecha or wish to try to because it’s so less serious and more emphasis on fun with itself.
1. What were you expecting before going in to ‘Back Arrow’?
The only expectation I had was a strong western setting terms of the background terrain, costumes etc. There was nothing I would ask for. I wanted to watch this not just because it’s mecha and I love it. Reminded me so much of Gun x Sword while the western settings are similar for me, Back Arrow is a curveball thrower. This series portrays itself as primarily fun majority of the time, this is something distinct within the first three episodes, it establishes. Introduction of the main protagonist Back Arrow arising from Rakuho, suffering amnesia with only memory of coming from beyond the wall.
Instead of this moment drawing on Back Arrow’s unfortunate circumstances with strong emotional emphasis. Back Arrow decides to go beyond the wall, without worrying about anything else. All the people from Edgar village staring at this strange man, butt naked. You feel like you are following an idiot of a protagonist and it works brilliantly for this series. It’s hysterical the first three episodes have been. I love series that serve up from what you expect like this, Back Arrow doesn’t pretend to be anything else.
2. I was curious about how you’re responding to Shu after these first 3 episodes? Definitely feels like he’s holding the most back.
Shu is just full of mystery but he is an amusing man. Making a copy of the royal records had me laughing, but he is a man of science. That instinct and drive to do what it takes to grasp his goals. There is an underlying motive here but damn he is amusing.
3. How are you finding the designs of the suits? (I’m getting a slight Power Rangers feel, which is fun.)
I LOVE this series concept regarding it’s mecha suits known as Briheight’s. The design of them reminds me of Gridman’s from SSS.Gridman but with a funky take. Concept of wielding these mechas based on your conviction is cool, each Briheight I’ve seen so far, really reflects the pilot as a person and personality. Mixture of conviction and becoming a pilot’s reflection, these mecha’s are definitely unique. This is another realm into the connection between man and machine.
1. We have a tradition of the main protagonist who has amnesia at the start. Normally there has been a strong emphasis and heartfelt plea at the start, also determination to discover who they are again. But we have a very lax protagonist who is just taking everything in hindsight as it comes. It’s this a refreshing approach to this protagonist tradition?
I think so, yeah. There’s sort of a refusal of the Call to Adventure – Arrow just wants to get on with own quest for the Wall and I’ve found that interesting. It feels like he’ll soften over time, but kicking off with an amnesiac who doesn’t seem to be very worried about that memory loss is interesting. Instead, he just dives into any situation with blind faith. Or conviction 😀
2. I have yet to complete Back Arrowyet but the western centre reminds me so much of Gun x Sword. Been a long time since a western themed mecha has appeared. I think the outskirts of rocky and dune sand, the bright western costume designs look great. Do you think the western feel is there for Back Arrow?
It reminds me of Gun x Sword too, which makes me pretty happy. (In fact, the moment I saw Elsha and Atlee, I felt like two halves of Wendy had appeared onscreen :D).
Agree! It feels like it’s been quite a while since a mecha show featured the western setting and isn’t it perfect for allowing the colours of the Briheights to pop too? I love the tropes I’ve seen so far, the village in distress, the stranger arriving to help etc. Really hoping they continue and that there’s a focus on stand-offs and duels.
3. I looked on MyAnimeList and this series has been rated 5 out of 10. I wonder if this is because people were expecting a series western here but the plot is pretty loose and so are the characters. This series is about fun 80% of the time, not what anyone was expecting. Do you like the loose fun factor here and the plot is throwing curveballs of absurdity as to where it may go?
I wondered about that too. If I think about something similar in tone from Kazuki Nakashima, like TTGL perhaps, then that show’s already 14 years old – that’s pretty much an entire generation ago, I guess.
And so maybe significant portions of current audiences just aren’t used to a show like Back Arrow?
Loose and fun is a pretty perfect description, yeah and maybe people did want something different? For me, I’m loving every second of how over the top it can be and I’m really looking forward to more curveballs, yes! For one, (I’m very curious about the Granedger and wonder what surprises it’ll hold in store.)
So, folks – tell us, are you watching Back Arrow? Planning to perhaps?
If you’re already watching it, how are you finding it so far? (Beyond the first three episodes the show continues to do more absurdist stuff and raise the stakes on the action too, I’m still enjoying it a lot for sure :D)
Whenever folks complain about CGI in anime (as I sometimes certainly do) it’s not about this level of application and integration, I hope.
Promare looks amazing, and some scenes are burnt into my memory I reckon – two of which I’ll mention below. There is definitely a lot to like if you’re a fan of Gainax, Trigger or mecha in general, or I’d add, even the neon aesthetic of the 1980s.
For a change, I’m going to include a short summary of the premise (from Wikipedia) though I imagine there aren’t tonnes of folks who aren’t at least vaguely familiar with the film:
The planet Earth suffered a calamity known as the Great World Blaze, where the fires from mass spontaneous human combustions killed half the world’s population. Certain ones developed pyrokinetic abilities during and subsequent to the event, and became known as the Burnish.
Thirty years later, Galo Thymos lives and works as a member of the firefighting group Burning Rescue, in the city of Promepolis. He responds to incidents involving the purported Mad Burnish, a group of liberating terrorists [led by Lio Fotia].
One thing that struck me, especially in these times, is that it was nice to see fire-fighters as heroes as opposed to say, police, which to be honest I couldn’t stomach at the moment. But getting back to Promare, I really enjoyed the dynamic between the leads (two hot-heads in a way) – since it was a little different from the classic kid must pilot mecha to save the world.
And while comparisons between Promare and Gurren Lagann (especially re: Galo and Kamina) can be made, I think it was fun to have two heroes who start off as adversaries work together to take on the glittering facade of a true villain. That’s a trope that I’m enjoying a lot lately, so I guess it spoke to me when I cheered Galo and Lio on.
Another thing I really enjoyed was the way the film balanced itself to appeal to a range of audiences, and in a way it really felt like Trigger nailed that ‘commercially-successful but-still-artistic’ project really well. (I may have said this before, but I’m not a huge fan of those two things being set up as opposite ends of a quality spectrum actually).
So, if you’re on the fence about watching or purchasing this I think that Promare has that real blockbuster feel, with a fun blend of action, character and comedy, and for me it definitely had enough reveals to be interesting, pay-offs to be satisfying and both likeable and understandable characters to keep me hooked.
What I will mention is the visual aspect – the colour palette is extremely 1980s (or even Vaporwave if you’re younger, I guess) and that might wear some folks down – in some action sequences there maybe wasn’t enough definition between moving parts to really track what was happening, so I think it’d be worth watching more than once in that respect.
Elsewhere, the hard lines and solid colours also kept things distinctive – in a way, it kinda brought Ben 10 to mind, but that’s not a good comparison tone-wise. Promare is definitely anime.
For the two moments I mentioned at the beginning of the interview, I wanted to find images for both but I’m not sure the internet will provide what I need… but there are a few shots from (beneath) an ice lake that are perfectly serene, and there’s also a fantastic range of styles compressed into Lio’s volcano scene that I think fans of animation should see at least once.
Okay, that’s about it! Basically, I really enjoyed Promare and I think I’ll grab a copy one day, but I was lucky that just last week Animelab randomly decided to put the movie up for streaming across a three day period!