OVA Week – Day 5: Riding Bean

The week of OVA reviews is slowly winding down – but it isn’t over yet 😀

As with all previous posts, I’ve included a quick overview on the form itself, before posting the actual review.

Hope you enjoy these and as I mention each time, I’d love to hear any suggestions you might have for future OVA-weeks 🙂

  • An animated film or series made for release on video, rather than for broadcast/theatrical screening
  • Generally, high budgets that can mean visual qualities are better than a typical television series
  • No fixed length, nor broadcast time-constraints when it comes to storytelling
  • To some extent, created outside regulation – and so they have a reputation for ‘anything goes’ when it comes to restricted content
  • Often (but certainly not always) based on original scripts, rather than being adaptations
  • Long wait times between episodes/installments for some OVAs
  • First OVA to be described as such was 1983’s Dallos from Mamoru Oshii
  • The ONA (Original Net Animation) is an obvious more modern equivalent

Riding Bean (1989) is a direct precursor to Sonoda Kenichi’s Gunsmith Cats and that is clear in so many details, of course – from names to cars and themes etc, but the differences are probably more interesting.

Of course, there’s still loli crap present. It could be argued that Semmerling reveals the true depths of a villain’s depravity but part of me just doesn’t buy that motive on the part of the film – it feels like a cry for attention for being ‘out there’, especially within the context of the rest of the OVA.

Still, if you enjoyed Gunsmith Cats for the car chases and shooting, then Riding Bean will deliver.

Here’s a bit of the plot from Wikipedia:

The anime follows one day in the life of Bean Bandit and Rally Vincent, as they find that they have been framed for the kidnapping of Chelsea Grimwood, the daughter of Mr. Grimwood, President of the Grimwood Company.

The ‘case’ that Bean and blonde-Rally are trying to solve has a good share of twists and surprises, and a satisfyingly big (but over-the-top) finish. Bean’s car itself has more than a few surprises, so if you’ve never seen this OVA, keep an eye on the “souped-up custom-designed car ‘The Buff’ (based on a Ford RS-200)”.

One other thing that caught my eye was the hyperbolic cop, Lt. Percy, who functions as perhaps the perfect caricature/parody of an 80s action-hero cop… or, some real life police officers.

And it might not have been intended as a parody at all, which would be disappointing, in fact. (His wrecking-ball-approach to everything he does could be read as biting satire at the least).

Having said all that, I’m glad I’ve finally seen Riding Bean now but I don’t think it’s one of my favs and I prefer Gunsmith Cats overall.

3 Stars

Gunsmith Cats: Bulletproof

Gunsmith Cats: Bulletproof 1995

Gunsmith Cats maybe still holds that ‘cult’ status now, even after the internet has no doubt introduced more folks to this mid-90s OVA. (So too, the Kickstarter campaign that funded a re-issue a few years back now.)

I love so much about this series but I’m torn when it comes to rating Gunsmith Cats.

And my main concern with the show is obviously Minnie May. I understand in the English language versions she is meant to be (technically) an adult and while she acts like one in some ways, she sure looks like a kid and so it’s creepy. In the manga, it’s worse than creepy.

So I can’t say this is a five-star work of art – even if the art and animation can be top notch, especially that car chase.

Obviously, if you’re a fan you’ll know that Gunsmith Cats and Riding Bean have a clear connection but I think the appeal of the show is the action rather than its links, especially the vehicles, guns and the way they’re both animated. I’m not one to rhapsodise over guns at all but the attention to detail throughout is undeniable.

The same goes for the cars – Rally’s Cobra is pretty amazing.

But not all of the action sequences are based on the road – there are a few tense moments indoors too, often fed by that classic action convention of ‘who can the good guys trust?’. If you like the type of US-style action films that bring stuff like Lethal Weapon to mind, there’s a good chance you could enjoy this despite the loli crap.

I’ve always found the story engaging and one of the antagonists is something a little different in some ways, yet so clearly ‘action film’ in others. It can be fun to spot those moments, and in terms of spotting things – it’s also clear that care was put into the setting too. Production teams spent a bit of time in Chicago and so what I imagine are a few key tourist spots or buildings pop up during the three episodes.

Ultimately, I think this is a key text in the ‘girls with guns’ sub-genre but it’s definitely not without an unpleasant flaw.