The first thing that struck me about Kurogane Communication was how clearly it evokes great robot-focused films of the past. There’s obviously a nod to Terminator in the form of Reeves (and maybe Robocop for Honi) but Ghost in the Shell is probably the text that’s referenced most often – from Major to the Puppet Master and even to the OST at times (maybe no surprise considering Kenji Kawai was involved there).
Kurogane Communication (Kurogane Komyunikeishon) 1998
Yet Kurogane Communication is probably pitched at a younger audience – it’s far brighter visually and fairly optimistic tone-wise, and most of the violence is centred around robots. (Somehow, the show evokes Astro Boy, though perhaps only vaguely). Most interesting to me, in terms of pinning down the target age group, is the fact that each episode is around 15 minutes (a little less without opening and closing). For me, that sorta had two effects – one was to give the impression of a show built for pre-teen audiences and their (perceived) shorter attention spans and the other, it seemed to compress the storytelling really well.
Each episode is a tightly constructed with a distinct problem being introduced and solved but slowly the bigger picture is also revealed and by the last act it’s a single, larger issue that faces the team. The show does squeeze in some characterisation too, and while the leads generally embody famous archetypes, there’s an interesting touch to some of them for sure. Part of the draw for me is the post-apocalyptic aspects and the mystery there – I think I am a little obsessed with imagingings of the future, and stories where humanity manages to persist in the face of its own grievous errors.
At times I think it was clear the anime didn’t have enough screen-time to set everything up, and if you give this show a shot, you’ll noticed a fair few things that feel like plot holes or unexplained conveniences. For one thing, for a while there the plot only moved forward if Haruka just ran off into danger despite solid reasons not to – but I was able to look beyond those problems easily enough. I will say that the anime worked the ‘accidental pervert’ trope far too hard for a young lead and the other bits of fan service didn’t seem to fit the tone of the show or the given scene.
Still, despite those things Kurogane Communication has heart; Spike is cute and the ending is sweet and welcome, there’s some touching moments throughout, a compelling setting, a steady pace and Angela’s backstory was a real highlight – in fact, I’d be more than happy to see a spin-off series about her life as a duelling robot 🙂