Violet Evergarden (Vaioretto Evāgāden) 2018
Hopefully the awful news from Japan about Kyoto Animation isn’t the only reason you’ve heard of this series (or any of their other works for that matter) but it’s hard to talk about Violet Evergarden without the spectre of tragedy looming over – especially as much of the show itself already deals with loss and grief.
And I’m not really able to avoid it myself of course – I could have reviewed Violet Evergarden months ago but I put the review aside and have come back to it only now, not long after the attack… so I can’t help feeling like my timing has ended up being quite poor. Still, I don’t want to avoid talking about the series now because there’s a tiny chance someone who hasn’t already heard of Violet Evergarden might hear about it from this review and want to check it out.
So here we go – what kind of show is Violet Evergarden?
In brief, it’s an episodic drama interspersed with action and war flashbacks. More than that, and its core, I think it’s a love story, though one that is more married to Violet’s struggle to understand and reinvent herself, rather than a love story where two characters fence or fumble with their feelings.
In fact, Violet is a lot more robotic (at first) than you might expect from a typical leading lady but there’s a reason for that of course. And while seeing her learn how to be human again is kind of the main draw, she is at times needlessly submissive, as her ghost-writing job lands her in the role of maidservant a few times.
And yet, due to her sense of duty and (generally) accommodating temperament, the series seems to romanticise that submissiveness. Maybe it’s just me? Maybe it’s the vaguely WWII-era setting that has her merely fitting the role women were forced into for much of the time.
Placing those aspects aside, I still enjoyed Violet’s trials and the colourful range of characters and places she encounters and wow, the art is so beautiful throughout; it’s clear Kyoto wanted to have the settings be just as romantic as the storylines. I’ll watch the show again just for some of that scenery (and costuming) – which I’ve not really been able to capture here but I’ve given it a shot!
Having Violet work as an Auto-Memory Doll (essentially an ‘on demand’ letter writer) was an interesting sub-plot, not something I’d seen dozens of times by any stretch, and it allowed for an equal amount of comedic and sweet moments throughout the series.
At times, Violet’s personal search for her lost love wasn’t actually as compelling to me as the problems of some of the other characters she helps, but if you feel like you need a bit of action and violence to go with the drama and personal discovery aspects, then Violet Evergraden will deliver there too.