Welcome to the final post for OVA Week.
There will be another OVA Week, perhaps next month – but so far, I’ve still got to find a few titles to include in the seven new reviews. At present, I’m hoping to feature suggestions of Getter Robo, Vampire Princess Miyu and Darkstalkers 🙂
Hope you’ve enjoyed this feature and if you have a suggestion, I’m still keen to hear ’em.
- An animated film or series made for release on video, rather than for broadcast/theatrical screening
- Generally, high budgets that can mean visual qualities are better than a typical television series
- No fixed length, nor broadcast time-constraints when it comes to storytelling
- To some extent, created outside regulation – and so they have a reputation for ‘anything goes’ when it comes to restricted content
- Often (but certainly not always) based on original scripts, rather than being adaptations
- Long wait times between episodes/installments for some OVAs
- First OVA to be described as such was 1983’s Dallos from Mamoru Oshii
- The ONA (Original Net Animation) is an obvious more modern equivalent
Dragon’s Heaven (1988)
Two things about the Dragon’s Heaven OVA stand out most, I think – first being the live-action, scale-model opening, and the second being the Moebius-influenced style of manga artist Makoto Kobayashi, upon whose work this OVA is based.
As usual, I can’t discuss the quality of this anime as an adaptation, but the story is a straight-forward war story told very quickly, with a lot of action and attention paid to the robots.
What caught my eye most was definitely visual style, with the anime’s designs right after. That isn’t to say that the characters don’t work, but with only 20-odd minutes of animation, the time is mostly spent on scene-setting and battles. There are a few passages devoted to dialogue, ones that function beyond exposition, but for the most part I think Dragon’s Heaven excels at the visuals. (As many OVAs can).
Above, I do mention “battles” but they’re usually a little short – you could say that some are pretty much explosions because the ‘dragon’s fire’ that main characters Shaian and Ikuuru use is really mammoth stuff.
Speaking of Ikuuru, she reminded me of a more snarky Nausicaa in some ways, but like her partner, she doesn’t have a character arc or a whole lot of impact beyond the confines of the plot.
While the detail and care that has gone into the models at the beginning of the OVA is very clear, I don’t know if Dragon’s Heaven would have suffered without it. On the other hand, that’s part of what’s so fun about the era – creators seemed more able to just try stuff out.
And finally, it’s interesting to have a largely non-human cast, and both hero Shaian and villain Elmedain have designs that seem unlike a lot of other robot-focused anime, but I think you might be disappointed if you seek this OVA out hoping for a multi-faceted story.
Instead, I think it’s worth seeing at least once anyway – just for the art design and animation alone, and I definitely add this to my list of anime where I wish there had been more.