Pumpkin Scissors (Panpukin Shizāzu) 2006
Pumpkin Scissors is a sadly unfinished series that seems often to be recommended to FMA fans, though there are obvious and clear differences.
Still, if anime featuring teams of military heroes, state secrets, mysterious powers, conspiracies and a vaguely WWII-era European setting sounds like your thing, then I think you’d enjoy Pumpkin Scissors a good deal.
Maybe so much so that, like me, by the end of the season, you’ll be disappointed that so much is left unexplored. Because while Pumpkin Scissors has a clear and satisfying ending, a second season (or more) would have been ace, allowing Alice and her company to uncover so much more!
In terms of production detail, I don’t know whether Gonzo had plans for another season… As ever, maybe the show just wasn’t popular enough, or maybe it was always meant to lead people to the manga… but I did find some trivia re: licensing costs for the US. (You can compare a few other shows here) but Pumpkin Scissors cost ADV around $780,000 by the looks of things.
Again, I definitely don’t have a comprehensive understanding of what any given show would cost a company generally, but it’s interesting to assign their (possible) expectations around the success of an anime back in 2006, based on those figures.
Okay, so I should backtrack to the story itself – the anime follows a small military section (Section 3) focusing on ‘post-war’ recovery, in a time of great hardship. Yet, as you will see in more than one episode, the ruling class certainly has less of a hard time than the ‘regular’ citizens of the nation.
To make things a little more complicated, fieldwork undertaken by Section 3 is led by a noble herself, Alice Malvin, and a certain amount of the series follows her struggle to deal with dual responsibilities and self image, as someone who believes nobility should help people.
She’s joined by other young officers, and while you do get time to know them – especially Oreldo, most of the focus there is on the mysterious Corporal Randel Oland and his past as an anti-tank trooper. And ‘anti-tank trooper’ is pretty much exactly as impressive as it sounds – foot soldiers who take out armoured tanks with a serious-looking handgun, and a little help from something we get hints about, but no true answers.
And boy, there’s a lot hinted at across the episodes, but again, to my disappointment, it’s mostly still hidden by the end of the anime. However, you know that this gentle-giant type character has been scarred heavily by the war will easily infer from what has happened to other soldiers, that Oland had been experimented on.
Other than the grim subject of war and intrigue, along with some great, explosive action sequences or fantastic duels throughout, there’s room for comedic moments in Pumpkin Scissors too. A lot of the lighter stuff comes from the chipper Lili and her messenger dog Mercury, but there was a running joke in regards to Oland’s size that was handled pretty nicely with props.
If you seek out Pumpkin Scissors (it might still be with Funimation) there is an ending to the season, despite me noting that I would have loved more.
The series has an arc and resolutions to certain plotlines, but it does feel like a first novel in a series, the one that sets everything up: revealing that there are more villains lurking further in the dark. Villains you won’t get to meet properly, unless you pick up the manga however.
Still, Alice’s final stand-off in the ballroom is a high-tension duel indeed, and a satisfying big finish.
While Oland’s hesitance in these episodes kinda bugged me, it makes sense and the character development is welcome at that moment. If I had to find another fault… I don’t know if I can! I liked pretty much everything about Pumpkin Scissors even the ending theme, which at first seemed to clash in tone, but it’s nice to have an oddly-comical ‘company song’ instead of something super-dramatic.