Dallos (Darosu) 1983
The first OVA produced!
Dallos feels extremely topical now when wealth inequality is so vicious, and you could certainly also read the OVA as a critique of colonialism – though I’m not sure Hisayuki Toriumi, Mamoru Oshii and Studio Pierrot were making a ‘message’ story? I should do more reading there.
Still, the themes are definitely present and expanded via inter-generational conflict as much as being driven by events around the Lunarian rebellion.
Science-fiction and action tropes do fill a lot of the short series, and although there’s time for politics too, what caught my eye (aside from the world-building) were the now ‘old-school’ visuals from both character and mechanical design – it does feel like the 1970s are very close.
But when I learnt that there were essentially two directors on Dallos, I think it became easier to see the action scenes when Oshii was clearly in charge.
Dallos is told from a few POVs. It mostly follows our hero Shun, rebel leader Dog and antagonist Alex as they struggle for control of the colony, and it doesn’t rush the story either, which is great. I guess if you’re mostly into modern animation, however, you’ll really see the age of the art.
In a way, two stories from 1966 came to mind when I finally saw Dallos – one was We Can Remember It for You Wholesale (filmed as Total Recall in 1990) and the other The Moon Is a Harsh Mistress. For the latter, the production team mention it as an influence but my association with the Philip K Dick story is a little more nebulous to me – not sure I can put my finger on why.
I still really enjoyed the OVA series and my only qualm I guess, was that I think I expected a little more mysticism from the film for some reason – maybe since the ‘god’ of Dallos itself seemed to be set up that way? Still, that feel was not absent at all, but I guess I just wanted something extra.
Obviously if you’re a science-fiction fan, or curious about this pretty cool piece of anime history, or Oshii’s early work too, then you’ll probably enjoy Dallos but visually it’s not at the level of Ghost in the Shell, for instance, and I wonder if tonally, this is more the work of writer and co-director Hisayuki Toriumi?
*To borrow from Iridium Eye Reviews a moment – maybe remove a star if you’re not so interested in the history of anime.
And this is my third review for my A-Z Challenge 🙂