Not the forward momentum that I was craving, but maybe this is a pause before a push toward the bigger things that must be coming.
The hyper-focus on the old pervert trope seemed to be the No Guns Life fan-service episode – or perhaps a critique of it – but I think it’s also clear that ‘x-ray eyes’ will be back, once he hooks up with Vincent and spills some secrets.
It was good to see Mary get fired up, but the highlight for me was another clue about Juzo’s past. I’m also pleased that the story is now bringing back a few characters that I’ve been curious about too.
Even if this isn’t my fav moment this season, at least the bloody nose exaggeration was funny. (There was also a refreshing change in the colour palette, as the greys and blues dominated the last few eps.)
Other than that fun moment – which is textbook ‘weekly’ storytelling – it was nice to see some satisfying action but also poor Natsume’s reaction to the big reveal behind the other big reveal.
I liked the slight ‘widening’ up of the world here, and so I remain hopeful that she will get the chance to explore later on.
It’s probably far too early in the series to say this, but I wonder if a few minor characters have been a bit forgotten? For instance, someone like Fennel. Is he relevant or not really? If he is, I’d like for episode 6 to check in with him, otherwise, I guess it’s all good 🙂
Other names tend to grace lists of ‘favourite/best studios’ more often, but maybe it’s easy to forget that Studio DEEN can certainly pull out all the stops too.
And Read or Die has some cracking action sequences indeed.
On that note, everything really did feel fluid and vivid to me, with scenes usually full of exciting near-misses. I was usually glued to the screen, partially due to the direction, but also since ‘The Paper’ is a less typical heroine when it comes to action leads.
Her ability to use paper as both protection and weapon was fascinating, and that’s another aspect I really enjoyed. Her fights were less about brute force and more problem-solving, in a way. And the anime really casts an unreservedly wide net for its historical villains and their powers too – more unconventional stuff that was most welcome, especially if you’ve seen a whole host of classic choices for weapons or powers.
Now, if you haven’t seen Read or Die (as I hadn’t until quite recently) and you’re getting a superhero vibe from that previous paragraph, then that’s not precisely inaccurate, but ‘secret agents with super-powers’ is probably better. Here and there, I was put in the mind of other action shows but rarely enough to pull me out of the storytelling.
I will note that at times, Yomiko sounds like a lost lamb, which you could argue is meant to link to her role as a ‘bookworm’, and it’s an interesting contradiction to her character. She’s pretty cool under pressure but kinda goes to pieces over books – something which is usually played for laughs, but the OVA does feature a certain book as a MacGuffin to kick things off too. So literature is not just a comedic element.
As is my way, I haven’t said much about the premise or plot, but it’s very much classic ‘save the world’ stuff but with fantastic animation and very few ‘stock’ characters or settings. There’s also a fun steampunk aesthetic – something else I loved a lot about Read or Die.
Well, if you want to see Mata Hari, Genjo Sanzo and Ludwig van Beethoven (among others), battling it out with secret agent heroes with inventive powers, in an easy to digest 3-part OVA, then this is worth finding.
I definitely enjoyed Lily C.A.T but I think if you want terror in space, then you will invariably be more satisfied by the film it owes the most to, which is of course Alien.
However, that doesn’t mean this longish OVA is not worth checking out if you’re interested in the genre. Or that it doesn’t have moments of tension. And for me, there were also parts that definitely ‘explored the human condition’, to borrow a phrase from literary fiction circles.
And as a bonus, I actually wanted some of the characters to survive!
As an aside that is actually a couple of paragraphs long, when I use the ‘Toys in the Attic’ episode of Cowboy Bebop in my classes, we talk a lot about the influence of Alien on the ep (and 2001: A Space Odyssey among others) but I think Lily C.A.T should get a mention too.
It feels like part of that famous homage episode (especially the blob itself and the blowtorch) are close enough to what you’ll see here, to warrant a mention at least. Certainly, my obsession with connecting texts to one another is something I might one day cut back on, but it’s out of my system for the rest of this review at least!
There’s plenty about the film that uses the typical ‘crew dies one by one’ structure, but the menace itself is something a little different. And when you do catch glimpses of a certain thing, you might recognise creature design by Yoshitaka Amano, with a Vampire Hunter D style, if a little more muted perhaps.
Actually… it turns out that I lied about the intertexual references, as I do have one more that I’ll get to in a moment:
So, there’s a nice layering of mystery in Lily C.A.T that I also enjoyed.
Generally, the crew is trying to figure out what went wrong to interrupt their ‘hypersleep’ flight. However, at the same time they learn of imposters aboard, and so while folks are trying to determine who they can trust amongst the humans, they’re also having to deal with increasing threats from the non-human.
It does add an extra dimension to the suspense, which I really enjoyed but if you’re looking for a really slick, vividly animated film then you might find Lily C.A.T a bit dated. However, that’s not to say it’s bad – for instance, the hanger door sequence was ace.
But back to the reference I mentioned – parts of that sub-plot seemed to echo They Were Eleven (an earlier space flight themed manga/anime) though obviously the idea of false identity is not new.
Worth it if you’re interested in ‘retro’ anime, I reckon.
[This is the first entry in a challenge (that I hope to one day finish), where I have set myself the goal of watching something for each letter of the alphabet – you can see the list over here if curious].
Again, I’m doing only a couple of notes for this episode, as I’m juggling a few things at the moment.
First off – I’m pleased to see Juzo has recovered, but it was a fun surprise as to how, and so I feel like there’s a chance our heroes can move forward a bit now. For most of the season so far, the team has been locked into a reactive pattern, as they deal with and learn about important stuff, and stuff I wanted to know too.
But it’s nice to see that other key characters are being drawn back into the picture again, and I wonder how that will play out now that Tetsuro is being (sorta) blackmailed.
Here and there I’m noticing the occasional moment where the CGI jumps out a bit – usually when there’s less shadow to do the work of blending, I guess. And since this is a show I believe I’ll grab on disc one day, I’m curious to compare a few scenes.
Anyway, that’s a bit of an aside – once more, I must ‘suffer’ through an entire week before another episode 😀
Very short post this time around, might do the same with No Guns Life tonight, actually, while I’m swamped with other stuff.
Action aplenty and more intrigue too – things are building swiftly now, and I wonder if the story will expand beyond the confines of the current boundaries, a bit like Gurren Lagann did for example?
I’m not sure but it feels like those flashbacks with Natsume and her dad were also foreshadowing the idea that we’ll get to see the surface sooner rather than later?
The tension between Natsume’s idealism and Kaburagi’s cynicism and fear was great too – but of course, she’s a classic hero and so she’s pushing on against the huge odds that the story has set up with the snow Gadoll.
A long wait ahead to see exactly how she survives, I guess 😀
Space Adventure Cobra: The Movie (Supēsu Adobenchā Kobura) (1982)
Space Adventure Cobra was another gap in my anime viewing history and I’m glad that I’ve now seen the film, as it was fascinating to experience so much psychedelia within a post-Star Wars, action-adventure Space Opera.
There’s also a bit of the horniness common to Bond films present, and what I considered a dash of Lupin, yet if I go too far with the comparisons I’ll probably do the characters a bit of a disservice.
If any of that sounds like your thing, then let me add that you’ll also encounter aliens, laser-arms, spaceships, mystical powers, fun cheesy names like ‘Crystal Boy’ and even snow-boarding rebels facing off against a powerful Pirate Guild 🙂
In a way, it comes across as a wild grab-bag of stuff… or even a somewhat stoned version of the Pulp genres, but I certainly didn’t find that any reason to stop watching. It was heaps of fun, something that maybe I forget to gravitate toward sometimes. Or perhaps I’m just easy to please when it comes to my fiction?
But while I do think I’m fairly forgiving, for me it all works, at least in part due to the pacing.
Space Adventure Cobra is not a short movie, and it covers a lot of ground (or space, I guess I should say) but does so at a fair clip, which keeps you watching. Due to that pacing I didn’t always get enough time to really interrogate some of the things I saw, I just accepted that everything fit together in the universe and found myself instead wondering, just how far could bravado take Cobra on his quest to save the beautiful Royal Sisters and escape the Pirate Guild?
This isn’t all to claim that the adaptation lacks flaws for me… but I haven’t read Buichi Terasawa’s manga, so I can’t focus on differences/omissions there. Instead, I’ll note that the animation can swing from lovely to quite uneven and I don’t know if the psychedelic-naked-chick-montages do much beyond establish a tone (or that retro aesthetic) but otherwise, it wouldn’t be unfair to say that characterisation takes a back seat to action in terms of balance.
Should you check out this classic?
If like me, you’ve always been curious, then yeah. Because while there are parts of Space Adventure Cobra that will feel quite derivative, to contrast that, I think the inventive side of the film compliments the action-adventure feel and so maybe you’ll find plenty to enjoy after all, especially if you can watch it as a product of its time.*
*Part of me really dislikes that term, but it’s fairly apt here I guess.
More answers revealed this time around, and of course, more questions raised. While we didn’t check-in with Tetsuro at all, there was plenty going on with Juzo and Mary.
And seeing them face off against ‘Victor’ was quite satisfying, plus there’s a little comedic moment that I won’t spoil in there too. At this point, after getting that tiny morsel about Juzo’s past, I’m realising that I probably know more about the back-story of everyone else, so I’m ready for extra details in that department from the next few episodes 😀
What I continue to find (and not enjoy so much) is that even though I think I can comment, in the form of prediction/gut reaction, upon big picture things like ‘pacing’, is that it’s very hard. Ideally, before I attempt a series review of No Guns Life, I’d like to watch the whole thing in a few sittings first.
Glad that it seems Victor will take the role of significant villain (and ally, as it turns out) but when we no doubt visit Tetsuro’s storyline with the next episode, I’m hoping things start to surge forward.
It feels like the audience now has plenty of background, context and understanding around what’s happening and who is responsible for what – and once Mary (or someone else?) fixes up Juzo, I’m hoping it’ll be time to start drawing the main protagonists together!
So, how’s everyone finding the second season so far? (For me, each week certainly gets harder to wait for the next episode :D).
I enjoyed plenty about episode three, but probably the combat training and slapstick there with Natsume the most. As before, the clash between worlds/art styles continues to give me pause at first, but I’m sure I’ll eventually acclimatise to the Furby/Regular Show-like aspects to the visuals.
It was great to get another hint that something else is afoot, re: Kaburagi and Pipe (who remains almost ridiculously cute) because I am glad there still seems to be secrets left in the storyline. Nice high-tension ending to the episode too, and I had a chuckle at Natsume and the arms dealer.
At this early point in the story, I’m still not feeling the dystopian aspects that have been hinted at, not quite feeling the full fear for humanity yet, even with the educational video – maybe I need to see what’s left of the surface, and especially see it presented in a non-cutesy way.
Now that the recapping/tiny wrap-up bits from episode 1 are dealt with, it feels like it’s time to move the story along again! (Though right at the beginning, I like that little nod to possible audience impatience with Juzo’s voice-over interruption :D).
A bit more action this time around, and more Juzo – so I’m happy there of course, as he’s still a force no matter his injuries. In fact, I’m hoping he and Mary take a moment for repairs soon.
But since they haven’t, I believe that adds a touch more tension to the upcoming fight between he and Victor. And, like episode one, we’re given a few more answers that lead to more questions. Big questions, especially around Tetsuro, so I’m growing increasingly keen for No Guns Life. In fact, it’s getting harder to wait – part of me wants to ‘save up’ a few episodes so I can watch back-to-back.
One thing I mentioned in the first half of the season, I’m still wanting to get a feel for a ‘main antagonist’. And it’s interesting to speculate upon whether Victor will take that role, since he has a connection to our heroes.
So far, outside of flashback, he’s been shown as ‘unhinged with some cunning’ rather than just being ‘broken + destructive’, so I’m kinda hoping he’ll end up in the ‘main villain’ category or at least in the ‘untrustworthy ally’ basket. I also hope that the plot doesn’t essentially discard him too soon, as there have been a lot of players entering and exiting the stage too quickly… so far.
Further to this, I still don’t quite ‘feel’ Berühren as the villain of the series, even if the corporation clearly must be, based at least on their activities and general stranglehold on the city.