Whenever folks complain about CGI in anime (as I sometimes certainly do) it’s not about this level of application and integration, I hope.
Promare looks amazing, and some scenes are burnt into my memory I reckon – two of which I’ll mention below. There is definitely a lot to like if you’re a fan of Gainax, Trigger or mecha in general, or I’d add, even the neon aesthetic of the 1980s.
For a change, I’m going to include a short summary of the premise (from Wikipedia) though I imagine there aren’t tonnes of folks who aren’t at least vaguely familiar with the film:
The planet Earth suffered a calamity known as the Great World Blaze, where the fires from mass spontaneous human combustions killed half the world’s population. Certain ones developed pyrokinetic abilities during and subsequent to the event, and became known as the Burnish.
Thirty years later, Galo Thymos lives and works as a member of the firefighting group Burning Rescue, in the city of Promepolis. He responds to incidents involving the purported Mad Burnish, a group of liberating terrorists [led by Lio Fotia].
One thing that struck me, especially in these times, is that it was nice to see fire-fighters as heroes as opposed to say, police, which to be honest I couldn’t stomach at the moment. But getting back to Promare, I really enjoyed the dynamic between the leads (two hot-heads in a way) – since it was a little different from the classic kid must pilot mecha to save the world.
And while comparisons between Promare and Gurren Lagann (especially re: Galo and Kamina) can be made, I think it was fun to have two heroes who start off as adversaries work together to take on the glittering facade of a true villain. That’s a trope that I’m enjoying a lot lately, so I guess it spoke to me when I cheered Galo and Lio on.
Another thing I really enjoyed was the way the film balanced itself to appeal to a range of audiences, and in a way it really felt like Trigger nailed that ‘commercially-successful but-still-artistic’ project really well. (I may have said this before, but I’m not a huge fan of those two things being set up as opposite ends of a quality spectrum actually).
So, if you’re on the fence about watching or purchasing this I think that Promare has that real blockbuster feel, with a fun blend of action, character and comedy, and for me it definitely had enough reveals to be interesting, pay-offs to be satisfying and both likeable and understandable characters to keep me hooked.
What I will mention is the visual aspect – the colour palette is extremely 1980s (or even Vaporwave if you’re younger, I guess) and that might wear some folks down – in some action sequences there maybe wasn’t enough definition between moving parts to really track what was happening, so I think it’d be worth watching more than once in that respect.
Elsewhere, the hard lines and solid colours also kept things distinctive – in a way, it kinda brought Ben 10 to mind, but that’s not a good comparison tone-wise. Promare is definitely anime.
For the two moments I mentioned at the beginning of the interview, I wanted to find images for both but I’m not sure the internet will provide what I need… but there are a few shots from (beneath) an ice lake that are perfectly serene, and there’s also a fantastic range of styles compressed into Lio’s volcano scene that I think fans of animation should see at least once.
Okay, that’s about it! Basically, I really enjoyed Promare and I think I’ll grab a copy one day, but I was lucky that just last week Animelab randomly decided to put the movie up for streaming across a three day period!