Mushi-Shi: Next Passage (Mushishi: Zoku-Shō)

Mushi-Shi: Next Passage (Mushishi: Zoku-Shō) 2014

Nine years passed between the release of Mushi-Shi (2005) and Mushi-Shi (Next Passage) and I’m glad I didn’t have to wait that long myself 🙂

For me, having come to the first series late, I was lucky to be able to watch both reasonably close together… but now, after having finished, I’m also sad that there’s only a few specials left for me to seek out. Still, I can easily re-watch an episode here and there because both seasons are truly episodic.

Lazily, I’m going to quote from my first review for the premise:

Mushi-Shi is full of fable-like episodes that seem to draw on equal parts Japanese folklore and creator Yuki Urushibara’s fantastic imagination, exploring the lives of regular and remarkable people in an almost-Edo-period-setting that includes lots of supernatural elements mixed in with the natural world.

There are plenty of similarities between the two series – for one, Ginko is still the central character but not a character that needs to hog all the screen-time; you’ll get to know the people whose lives he changes too but no storyline drags. You’ll also get an ending with each episode and usually, meet a new and fantastical mushi each time.

Next Passage is still quite calm in many ways, often sombre too, but that doesn’t mean the anime is without tension. Mostly, I guess I’m referring to production techniques and pacing when I claim that it is ‘calm’. Again, once more the natural world dominates the screen, both beautiful and disconcerting as Ginko travels through the seasons.

One change I did notice seems to be the colour – this season feels a little more vibrant and even more picturesque; it’s usually very soothing. Even the darker episodes seem almost ‘warm’, like ‘The Hand That Caresses the Night’ for example, with the yellows, greens and browns.

If you enjoyed the first season then this will satisfy on every level I think – there’s even an episode with a little more about Ginko’s past, so I was pretty happy to see that. It’s hard to choose a favourite few episodes this time around, but ‘Floral Delusion’ comes to mind for sure.

4 Stars

Gargantia on the Verdurous Planet (Suisei no Gargantia)

Gargantia on the Verdurous Planet (Suisei no Gargantia) 2013

Once again, I’m going to fight my urge to ramble here – so, that means just a few paragraphs now, focusing on Gargantia on the Verdurous Planet this time.

If you’ve never come across this series I think I’ll mention that it stands out in the mecha genre a bit, in no small part due to the amazing setting. For me, I could have watched ten extra episodes more in line with the first half of Gargantia on the Verdurous Planet, which had a fun slice-of-life feel at times, as the characters go about their business upon a verdant and vibrant, connected fleet of ships. Likewise, I could have enjoyed the scenery just as long – it’s bright and textured, yet didn’t feel repetitive; I left off sure that we could have explored a lot more.

The show delves into the requisite fan-service at times, but the main focus in Gargantia… (aside from the eventual re-emergence of the science-fiction) is probably pilot Ledo’s faltering attempts to understand a new culture. I really enjoyed seeing his trials there, both with language and ideology, but for action fans you’ll be given more battles and violence in the last few episodes. There, a lot of the warmth is jettisoned, along with lead character Amy’s role but I suppose in exchange for that you do get some development from a different character – the somewhat dubious Pinion.

In some ways this is like two halves of a longer series condensed into one short series, where the ‘science-fiction space war’ part is mostly placed aside as the hero adapts to his new circumstances. Seen that way, I think Gargantia… has a fair bit in common with the First Contact sub-genre, only it’s one kind of human meeting others.

The anime looks great of course, with Production IG at the helm, but if you were hunting down the works of Gen Urobuchi don’t expect something like Pyscho-Pass… though there is a sub-plot featuring a cult here that would have fit into that dystopia. If you like mech design for salvaging as much as for fighting, and if you want some comedy and a fresh setting to go with your science-fiction, then I reckon you’d enjoy this despite some uneven aspects for me.

3 Stars

Ah, yes – the time-honoured tradition in anime of having animals resting on the heads of characters.

Mushi-Shi (2005) [Boxing Day Review]

Mushi-Shi (2005)

Mushi-Shi is a series that had been floating around the edges of my awareness for a long time it seemed, and one I finally sought out specifically only last year.

As part of my research I looked at blogs and posts from various sites that discussed the show as ‘underrated’ and it seems that over the years, Mushi-Shi has grown a lot more popular in western fandom. So much so that I think it’s no longer underappreciated and overlooked but instead it appears in more lists without the word ‘underrated’ attached at all, which is awesome.

And maybe I’m putting too much stock in what I’ve found online, but I think even before the second series was produced, that the popularity of Mushi-Shi was climbing steadily. And I’m obviously more than happy to recommend Ginko’s travels to nearly anyone reading this… that is, unless you have a hard time with episodic storytelling. However, if you dig that structure then you can also enjoy a beautiful, at times really pastoral and poetic series to go with those self-contained plots.

Mushi-Shi is full of fable-like episodes that seem to draw on equal parts Japanese folklore and creator Yuki Urushibara’s fantastic imagination, exploring the lives of regular and remarkable people in an almost-Edo-period-setting that includes lots of supernatural elements mixed in with the natural world.

For a change today I want to try a couple of different things, nothing drastic, but here’s five things I wanted to highlight, ranging from fairly micro-level to bigger picture stuff:

  • I hope Yūto Nakano, Ginko’s voice actor, is getting heaps of work, because I think a lot of his performance; it’s both calm and commanding. Superb change of pace if you’ve been on a shounen binge, for instance.
  • In terms of our hero’s costume you’ll notice that it’s almost anachronistic… but it is an alternate Japan, not a historical one. The obvious effect that choice has for me is that the coat really helps Ginko stand out – it’s a brilliant piece of costuming when most other people dress reasonably similar from village to village, yet it’s still unassuming which suits him so well (a quick comparison is below).
  • I’ve read reviews here and there that bemoan a ‘lack of character development’ in Mushi-Shi but I think that’s not a fair assessment of a series that often plays out like Detective Fiction. In such mysteries, the crimes/stories/settings change but the main character doesn’t because that’s not the purpose of an episodic show. Instead, I’d argue that Ginko has to appear ‘fully formed’ and stay stable, stay as much ‘himself’ as possible in order to help connect the episodes and add that extra cohesive element to the viewing experience.
  • Mushi-Shi is at times quite sombre, which isn’t to say it’s depressing but on the other hand, not every story has a happy – or sometimes even a completely happy ending, and so some fans tend to space out their viewing, and I certainly found that I watched it at a similar pace.
  • Finally, I think it’s possible that you won’t always be able to predict the way Ginko solves some of the problems he faces, which is a real gift in storytelling of any type.

Okay, so there’s that section sorted – and I wish I had more to say about Mushi-Shi actually. I perhaps don’t because, like a lot of well-known favourites out there, it feels impossible for me to add much in the way of new analysis or discussion. Even so, I found that I had to include my thoughts anyway, that’s what the blog is for, right? 😀

Some storylines and characters will stand out more than others for different folks, a bit like an anthology really, but here’s my favourite five episodes to finish off this write-up:

2 – The Light in the Eyelids
5 – The Travelling Swamp
12 – One-Eyed Fish
20 – A Sea of Ink
22 – The Sea Shrine
  • 2 – The Light in the Eyelids
  • 5 – The Travelling Swamp
  • 12 – One-Eyed Fish
  • 20 – A Sea of Ink
  • 22 – The Sea Shrine

5 Stars

Okay, make that my 7 favourite episodes perhaps:

  • 4 – The Alley Through the Pillow
  • 17 – Picking Empty Cocoons
(Comparing Ginko’s costume to the characters above)