Toward the Terra (1980)

Toward the Terra (1980)

I tend to really enjoy stories that feature big concepts – especially imaginings of the future, and Toward the Terra features both of those things.

While it’s a generational story that skips a few years here and there, the beginning especially gives us a look at an unsettling ‘utopia’, a place boasting order and health but a place where a character might say something like “I’m sick of boys, let’s get a girl next time” and this statement would be perfectly normal.

The repressive society featured in Toward the Terra isn’t the main focus precisely, but it is the structure that our Chosen One (Jomy) must rebel against.

Ultimately, the story is a far-future struggle between humans and Mu (Mu are humans who can use psychic powers) and while the film does feature space battles and struggles, it’s not so much a war between equal and opposing sides, it’s more like a brainwashed humanity seeking to commit genocide upon the Mu.

It can be pretty grim – and while the ‘80s designs and animation might not make some of those things seem as visceral as modern shows could, it’s still compelling.

For me, the time skips I mentioned before suggest that this adaption would have worked really well as a series (and twenty-seven years later maybe it does :D), allowing the story to further explore things like Jomy and Physis for one, but beside that and similar issues related to the huge story and limited running time, I enjoyed Toward the Terra plenty.

4 Stars

Expelled from Paradise (Rakuen Tsuihō)

Expelled from Paradise (Rakuen Tsuihō) 2014

More science-fiction!

So, if you haven’t seen Expelled from Paradise I’d say this film strikes a balance between overpowered robots, cyber investigation, fan-service and good old fashioned post-apocalyptic stuff – yet it’s not precisely part of the mecha-sub genre. It also spends a bit of time exploring personhood, which is always welcome in my books.

There are some pretty fun battles throughout – I’d watch it again for those sequences and the sleek designs of the ships and robots too, but I reckon studio pressure shoe-horned fan-service into the film.

Now, I don’t have a handle on the production context or reception it got at the time of release, but it’s probable that main character Angela’s g-string costume (and the action) was meant to sell the audience on the film so the writers could later sneak in some philosophical aspects as the movie progressed? I mean, she’s not a one-dimension character but she is clearly typical in that she’s been costumed to be eye-candy for the male gaze.

In other aspects, Expelled from Paradise treats her as an actual character. She realistically struggles with having to use a body once again (after essentially living as a virtual presence for part of the story) and she does become less conceited, so there’s some character development. And look, it’s not all bad and I’d say the film is probably still worth watching for the animation alone.

Actually, maybe for the mysterious (and cute) Frontier Setter too, along with the other lead character who remains my fav, Dingo. He’s probably my favourite because he has the whole ‘Spike’ bounty-hunter thing going on, though Dingo is more open – and interestingly enough, in the English dub he’s actually voiced by Steve Blum (and Wendee Lee voices Angela :D).

This movie had a big budget and some big names behind it – Seiji Mizushima (FMA) Gen Urobuchi (Pyscho Pass) as director and writer, but Expelled from Paradise didn’t end up being brilliant or un-missable for me and I don’t see it listed as a classic on anyone’s list… but once more, having said that, it was still pretty good in spite of the things I felt were shortcomings.

3 Stars

I felt like there was also a little nod to Ergo Proxy here when we meet Angela’s masters, though of course, not everything is a reference to something else – but I like to seek out the possibilities anyway 😀